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Frames and framing in documentary comics
~
Schmid, Johannes C. P.
Frames and framing in documentary comics
Record Type:
Electronic resources : Monograph/item
Title/Author:
Frames and framing in documentary comicsby Johannes C. P. Schmid.
Author:
Schmid, Johannes C. P.
Published:
Cham :Springer International Publishing :2021.
Description:
xv, 292 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Documentary comic books, strips, etcHistory and criticism.
Online resource:
https://doi.org/10.1007/978-3-030-63303-5
ISBN:
9783030633035$q(electronic bk.)
Frames and framing in documentary comics
Schmid, Johannes C. P.
Frames and framing in documentary comics
[electronic resource] /by Johannes C. P. Schmid. - Cham :Springer International Publishing :2021. - xv, 292 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels,2634-6370. - Palgrave studies in comics and graphic novels..
1. Introduction: Comics Framing and the Construction of Facts -- 2. Framing Actuality: Frame Theory, Graphic Narrative, and (Post-)Documentary -- 3. Material Framing: The Paratext -- 4. Visual Framing: From the Line to the Multiframe -- 5. Narrative Framing: Storytelling, Structures, and Perspectives -- 6. 1. Conclusion: Redrawing Boundaries in the Digital Age.
Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are 'facts' being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium's visual frames.
ISBN: 9783030633035$q(electronic bk.)
Standard No.: 10.1007/978-3-030-63303-5doiSubjects--Topical Terms:
895214
Documentary comic books, strips, etc
--History and criticism.
LC Class. No.: PN6714 / .S36 2021
Dewey Class. No.: 741.5355
Frames and framing in documentary comics
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1. Introduction: Comics Framing and the Construction of Facts -- 2. Framing Actuality: Frame Theory, Graphic Narrative, and (Post-)Documentary -- 3. Material Framing: The Paratext -- 4. Visual Framing: From the Line to the Multiframe -- 5. Narrative Framing: Storytelling, Structures, and Perspectives -- 6. 1. Conclusion: Redrawing Boundaries in the Digital Age.
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Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are 'facts' being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium's visual frames.
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Literature, Cultural and Media Studies (SpringerNature-41173)
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EB PN6714 .S348 2021 2021
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https://doi.org/10.1007/978-3-030-63303-5
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