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Image, art and virtualitytowards an ...
~
Diodato, Roberto.
Image, art and virtualitytowards an aesthetics of relation /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Image, art and virtualityby Roberto Diodato.
Reminder of title:
towards an aesthetics of relation /
Author:
Diodato, Roberto.
Published:
Cham :Springer International Publishing :2021.
Description:
xv, 94 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Aesthetics.
Online resource:
https://doi.org/10.1007/978-3-030-67784-8
ISBN:
9783030677848$q(electronic bk.)
Image, art and virtualitytowards an aesthetics of relation /
Diodato, Roberto.
Image, art and virtuality
towards an aesthetics of relation /[electronic resource] :by Roberto Diodato. - Cham :Springer International Publishing :2021. - xv, 94 p. :ill., digital ;24 cm.
System and Relation -- The Person and their Image -- Aisthesis, Art, Virtuality.
This book investigates the ontological state of relations in a unique way. Starting with the notion of system, it shows that the system can be understood as a relational structure, and that relations can be assessed within themselves, with no need to transform relations in elements. "Relations" are understood in contrast to "relational property": without a relation there is no identity, therefore no existence. What allows us to do that without hypostatizing the relation, and without immediately taking it simply as a causal relation, can be better grasped, possibly, in reference to a few entities that make best display of their systemic nature, for example images, works of art, and virtual bodies. This book shows how virtual bodies are ontological hybrids representing a type of entity that has never appeared in the world before. This entity becomes a phenomenon in interactivity and evades the dichotomy between "external" and "internal"; it is neither a cognitive product of the consciousness, nor an image of the mind. The user is well aware of experiencing another reality, also in the sense of a paradoxical reduplication of perceptual synthesis. The virtual body-environment is therefore simultaneously external and internal, with virtual bodies-environments to be seen as artificial windows to an intermediary world. In this intermediary world, the space itself is the result of interactivity; the world takes place in the sense or feeling of immersion experienced by the user; and the body, perceived as "other", takes upon itself the sense of its reality, of its effectiveness, as an imaginary and pathic incision, as a production of desire and emotion, to the point that the feeling of reality conveyed by a virtual environment will rely significantly on how this environment produces emotions in the users.
ISBN: 9783030677848$q(electronic bk.)
Standard No.: 10.1007/978-3-030-67784-8doiSubjects--Topical Terms:
178371
Aesthetics.
LC Class. No.: BH39
Dewey Class. No.: 111.85
Image, art and virtualitytowards an aesthetics of relation /
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2021.
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System and Relation -- The Person and their Image -- Aisthesis, Art, Virtuality.
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This book investigates the ontological state of relations in a unique way. Starting with the notion of system, it shows that the system can be understood as a relational structure, and that relations can be assessed within themselves, with no need to transform relations in elements. "Relations" are understood in contrast to "relational property": without a relation there is no identity, therefore no existence. What allows us to do that without hypostatizing the relation, and without immediately taking it simply as a causal relation, can be better grasped, possibly, in reference to a few entities that make best display of their systemic nature, for example images, works of art, and virtual bodies. This book shows how virtual bodies are ontological hybrids representing a type of entity that has never appeared in the world before. This entity becomes a phenomenon in interactivity and evades the dichotomy between "external" and "internal"; it is neither a cognitive product of the consciousness, nor an image of the mind. The user is well aware of experiencing another reality, also in the sense of a paradoxical reduplication of perceptual synthesis. The virtual body-environment is therefore simultaneously external and internal, with virtual bodies-environments to be seen as artificial windows to an intermediary world. In this intermediary world, the space itself is the result of interactivity; the world takes place in the sense or feeling of immersion experienced by the user; and the body, perceived as "other", takes upon itself the sense of its reality, of its effectiveness, as an imaginary and pathic incision, as a production of desire and emotion, to the point that the feeling of reality conveyed by a virtual environment will rely significantly on how this environment produces emotions in the users.
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based on 0 review(s)
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電子館藏
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1 records • Pages 1 •
1
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000000199392
電子館藏
1圖書
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EB BH39 .D589 2021 2021
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0
1 records • Pages 1 •
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Multimedia
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https://doi.org/10.1007/978-3-030-67784-8
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