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From modernism to postmodernismbetwe...
~
Bogunovic Hocevar, Katarina.
From modernism to postmodernismbetween universal and local /
Record Type:
Electronic resources : Monograph/item
Title/Author:
From modernism to postmodernismGregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan (eds.).
Reminder of title:
between universal and local /
other author:
Pompe, Gregor.
Published:
Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften,2016.
Description:
402 p. :ill., digital ;24 cm.
Subject:
MusicPhilosophy and aesthetics.20th century
Online resource:
https://www.peterlang.com/document/1050069
ISBN:
9783653065015$q(electronic bk.)
From modernism to postmodernismbetween universal and local /
From modernism to postmodernism
between universal and local /[electronic resource] :Gregor Pompe, Katarina Bogunovic Hocevar, Nejc Sukljan (eds.). - Frankfurt a.M. :Peter Lang GmbH, Internationaler Verlag der Wissenschaften,2016. - 402 p. :ill., digital ;24 cm.
Preface - Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview - Helmut Loos Modernity - Postmodernity. Controversial Core Structures of Musical Thinking - Petra Ceferin The Creative Practice (of Architecture): Insisting on the In-Between.43 Niksa Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? - From Modernism - Grazina Daunoraviciene Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as an Example of European Modernism in its Early Stages - Manuel Farolfi Modernism at Work in Pierre Boulez's Writings, 1948-952 - Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata - Ka-man Choi Textual Permutation in Mauricio Kagel's Anagrama (1957-958): New Modes of Serial Thought - Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview - to Postmodernism Juija Jonae From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists - Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps - Gregor Pompe Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism - Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke - Simone Heilgendorff Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? - Alessandro Miani A Language-Based Approach to Music and Intertextuality - Milena Bozhikova Contemporary Music between History and Eschatology - Postmodernism in Eastern Europe Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art - Kamile Rupeikaite The Semantics of the Music of Anatolijus Senderovas - Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdansk Milieu - Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy - Niall O'Loughlin Lojze Lebic: Modernism and the Vernacular - Ira Prodanov Krajisnik Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness -
The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar <<universality>> was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.
ISBN: 9783653065015$q(electronic bk.)Subjects--Topical Terms:
376874
Music
--Philosophy and aesthetics.--20th century
LC Class. No.: ML3845 / .F83 2016
Dewey Class. No.: 780.904
From modernism to postmodernismbetween universal and local /
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Preface - Theoretical Basis Gregor Pompe Postmodernism in Society and Art: An Overview - Helmut Loos Modernity - Postmodernity. Controversial Core Structures of Musical Thinking - Petra Ceferin The Creative Practice (of Architecture): Insisting on the In-Between.43 Niksa Gligo Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology? - From Modernism - Grazina Daunoraviciene Mikalojus Konstantinas Ciurlionis' (1875-911) Musical Works as an Example of European Modernism in its Early Stages - Manuel Farolfi Modernism at Work in Pierre Boulez's Writings, 1948-952 - Hei Yeung John Lai Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata - Ka-man Choi Textual Permutation in Mauricio Kagel's Anagrama (1957-958): New Modes of Serial Thought - Contents Cristina Scuderi Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview - to Postmodernism Juija Jonae From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists - Moeko Hayashi Modernism, Postmodernism and Globalism: Takemitsu, November Steps - Gregor Pompe Bernd Alois Zimmermann's Requiem fur einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism - Jana Majerova Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke - Simone Heilgendorff Wien Modern, Festival d'Automne a Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture? - Alessandro Miani A Language-Based Approach to Music and Intertextuality - Milena Bozhikova Contemporary Music between History and Eschatology - Postmodernism in Eastern Europe Jais KudinsPeeris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art - Kamile Rupeikaite The Semantics of the Music of Anatolijus Senderovas - Joanna Schiller-Rydzewska Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdansk Milieu - Tatiana Pirnikova The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy - Niall O'Loughlin Lojze Lebic: Modernism and the Vernacular - Ira Prodanov Krajisnik Opera Mileva by Aleksandra Vrebalov: A Tale of Woman's Otherness -
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The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar <<universality>> was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.
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https://www.peterlang.com/document/1050069
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