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Connecting soundsthe social life of ...
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Crossley, Nick,
Connecting soundsthe social life of music /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Connecting soundsNick Crossley.
其他題名:
the social life of music /
其他題名:
Social life of music
作者:
Crossley, Nick,
面頁冊數:
1 online resource (220 p.)
標題:
MusicSocial aspects.
電子資源:
https://portal.igpublish.com/iglibrary/search/MUPB0001206.html
ISBN:
9781526126016
Connecting soundsthe social life of music /
Crossley, Nick,
Connecting sounds
the social life of music /[electronic resource] :Social life of musicNick Crossley. - 1 online resource (220 p.)
Access restricted to authorized users and institutions.
"Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely"
Mode of access: World Wide Web.
ISBN: 9781526126016Subjects--Topical Terms:
187643
Music
--Social aspects.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: ML3916
Dewey Class. No.: 306.4
Connecting soundsthe social life of music /
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"Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely"
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