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Musical entanglements between German...

Cho, Joanne Miyang.

Musical entanglements between Germany and East Asiatransnational affinity in the 20th and 21st centuries /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Musical entanglements between Germany and East Asiaedited by Joanne Miyang Cho.
Reminder of title:	transnational affinity in the 20th and 21st centuries /
other author:	Cho, Joanne Miyang.
Published:	Cham :Springer International Publishing :2021.
Description:	xix, 303 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	MusicGerman influences.East Asia
Subject:	GermanySocial policy.
Online resource:	https://doi.org/10.1007/978-3-030-78209-2
ISBN:	9783030782092$q(electronic bk.)

Musical entanglements between Germany and East Asiatransnational affinity in the 20th and 21st centuries /
Musical entanglements between Germany and East Asiatransnational affinity in the 20th and 21st centuries /[electronic resource] :edited by Joanne Miyang Cho. - Cham :Springer International Publishing :2021. - xix, 303 p. :ill., digital ;24 cm. - Palgrave series in Asian German studies,2731-5665. - Palgrave series in Asian German studies..

Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Facher -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.

This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.

ISBN: 9783030782092$q(electronic bk.)

Standard No.: 10.1007/978-3-030-78209-2doiSubjects--Topical Terms:

908753
Music
--German influences.--East AsiaSubjects--Geographical Terms:

383957
Germany
--Social policy.

LC Class. No.: ML330.5 / .M87 2021

Dewey Class. No.: 780.95

Musical entanglements between Germany and East Asiatransnational affinity in the 20th and 21st centuries /
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505 0 $a Chapter 1: The Idea of Entanglement, Historiography, and Organization -- Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students -- Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer -- Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong -- Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945 -- Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors -- Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busoni's Opera Turandot -- Chapter 6: Reimagining China in Interwar German Opera: Eugen d'Albert's Mister Wu and Ernst Toch's Der Facher -- Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949 -- Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power -- Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers -- Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity -- Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency -- Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art -- Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.
520 $a This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.
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650 2 4 $a Cultural History. $3 742092
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651 0 $a East Asia $x Economic policy. $3 380926
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