國立高雄大學圖資館 |

Language: English

Back

Heavy metal music, texts, and nation...

Hoad, Catherine.

Heavy metal music, texts, and nationhood(re)sounding whiteness /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Heavy metal music, texts, and nationhoodby Catherine Hoad.
Reminder of title:	(re)sounding whiteness /
Author:	Hoad, Catherine.
Published:	Cham :Springer International Publishing :2021.
Description:	vii, 260 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Heavy metal (Music)Social aspects.
Online resource:	https://doi.org/10.1007/978-3-030-67619-3
ISBN:	9783030676193$q(electronic bk.)

Heavy metal music, texts, and nationhood(re)sounding whiteness /
Hoad, Catherine.

Heavy metal music, texts, and nationhood(re)sounding whiteness /[electronic resource] :by Catherine Hoad. - Cham :Springer International Publishing :2021. - vii, 260 p. :ill., digital ;24 cm. - Leisure Studies in a Global Era. - Leisure Studies in a Global Era..

1.Introduction -- 2. Sound of White Noise -- 3.Norwegian black and Viking metal scenes -- 4.Territories of Whiteness in Afrikaans metal -- 5. Normophilic Whiteness and Banal Nationalism in Australian extreme metal -- 6.(Re)sounding, (re)sealing: Translocal Terrains of Whiteness across Norway, South Africa and Australia -- 7.Conclusion: Beyond the Pale.

This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of 'belonging' which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.

ISBN: 9783030676193$q(electronic bk.)

Standard No.: 10.1007/978-3-030-67619-3doiSubjects--Topical Terms:

688673
Heavy metal (Music)
--Social aspects.

LC Class. No.: ML3918.R63 / H63 2021

Dewey Class. No.: 306.48426

Heavy metal music, texts, and nationhood(re)sounding whiteness /
LDR:02608nmm a2200337 a 4500 001 610895
003 DE-He213
005 20211025202133.0
006 m d
007 cr nn 008maaau
008 220330s2021 sz s 0 eng d
020 $a 9783030676193$q(electronic bk.)
020 $a 9783030676186$q(paper)
024 7 $a 10.1007/978-3-030-67619-3 $2 doi
035 $a 978-3-030-67619-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3918.R63 $b H63 2021
072 7 $a JHB $2 bicssc
072 7 $a SOC026000 $2 bisacsh
072 7 $a JHB $2 thema
082 0 4 $a 306.48426 $2 23
090 $a ML3918.R63 $b H678 2021
100 1 $a Hoad, Catherine. $3 909168
245 1 0 $a Heavy metal music, texts, and nationhood $h [electronic resource] : $b (re)sounding whiteness / $c by Catherine Hoad.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a vii, 260 p. : $b ill., digital ; $c 24 cm.
490 1 $a Leisure Studies in a Global Era
505 0 $a 1.Introduction -- 2. Sound of White Noise -- 3.Norwegian black and Viking metal scenes -- 4.Territories of Whiteness in Afrikaans metal -- 5. Normophilic Whiteness and Banal Nationalism in Australian extreme metal -- 6.(Re)sounding, (re)sealing: Translocal Terrains of Whiteness across Norway, South Africa and Australia -- 7.Conclusion: Beyond the Pale.
520 $a This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of 'belonging' which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.
650 0 $a Heavy metal (Music) $x Social aspects. $3 688673
650 0 $a Whites $x Race identity. $3 471465
650 0 $a Men, White $x Social life and customs. $3 909170
650 0 $a Music and race. $3 481246
650 1 4 $a Sociology, general. $3 557597
650 2 4 $a Sociology of Culture. $3 731548
650 2 4 $a Music. $3 227185
650 2 4 $a Ethnicity, Class, Gender and Crime. $3 775899
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Leisure Studies in a Global Era. $3 909169
856 4 0 $u https://doi.org/10.1007/978-3-030-67619-3
950 $a Social Sciences (SpringerNature-41176)