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The forms of michael field

Field, Michael

The forms of michael field

Record Type:	Electronic resources : Monograph/item
Title/Author:	The forms of michael fieldby LeeAnne M. Richardson.
Author:	Richardson, LeeAnne M.
Published:	Cham :Springer International Publishing :2021.
Description:	xi, 282 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Nineteenth-Century Literature.
Online resource:	https://doi.org/10.1007/978-3-030-86126-1
ISBN:	9783030861261$q(electronic bk.)

The forms of michael field
Richardson, LeeAnne M.

The forms of michael field[electronic resource] /by LeeAnne M. Richardson. - Cham :Springer International Publishing :2021. - xi, 282 p. :ill., digital ;24 cm. - Palgrave studies in nineteenth-century writing and culture,2634-6508. - Palgrave studies in nineteenth-century writing and culture..

Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field's cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field's continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority. LeeAnne M. Richardson is Associate Professor of English at Georgia State University in Atlanta, Georgia, USA.

ISBN: 9783030861261$q(electronic bk.)

Standard No.: 10.1007/978-3-030-86126-1doiSubjects--Personal Names:

912133
Field, Michael
--Criticism and interpretation.Subjects--Topical Terms:

740268
Nineteenth-Century Literature.

LC Class. No.: PR4699.F5 / R53 2021

Dewey Class. No.: 821.8

The forms of michael field
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520 $a Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field's cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field's continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority. LeeAnne M. Richardson is Associate Professor of English at Georgia State University in Atlanta, Georgia, USA.
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