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The heirs to the Savoia throne and the construction of 'Italianita', 1860-1900

Record Type:	Electronic resources : Monograph/item
Title/Author:	The heirs to the Savoia throne and the construction of 'Italianita', 1860-1900by Maria Christina Marchi.
Author:	Marchi, Maria Christina.
Published:	Cham :Springer International Publishing :2022.
Description:	xvii, 291 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	NationalismHistory19th century.Italy
Subject:	ItalyPolitics and government1849-1870.
Online resource:	https://doi.org/10.1007/978-3-030-84585-8
ISBN:	9783030845858$q(electronic bk.)

The heirs to the Savoia throne and the construction of 'Italianita', 1860-1900
Marchi, Maria Christina.

The heirs to the Savoia throne and the construction of 'Italianita', 1860-1900[electronic resource] /by Maria Christina Marchi. - Cham :Springer International Publishing :2022. - xvii, 291 p. :ill., digital ;24 cm. - Palgrave studies in modern monarchy,2947-5872. - Palgrave studies in modern monarchy..

1. Introduction -- 2. The Royal Shop Window in the Nation's Market Place: Selling the Savoia Narrative -- 3. Royal and National Education: A 'Laboratory for Italianità' -- 4. Gender and Family: Realms of Royalty -- 5. Mobility: Royals on the Move -- 6. Conclusion.

This book explores the evolution of the role of the heirs to the throne of Italy between 1860 and 1900. It focuses on the future kings Umberto I (1844-1900) and Vittorio Emanuele III (1869-1947), and their respective spouses, Margherita of Savoia (1851-1926) and Elena of Montenegro (1873-1952) It sheds light on the soft power the Italian royals were attempting to generate, by identifying and examining four specific areas of monarchical activity: firstly, the heirs' public role and the manner in which they attempted to craft an Italian identity through a process of self-presentation; secondly, the national, royal, linguistic and military education of the heirs; thirdly, the promotion of a family-centred dynasty deploying both male and female elements in the public realm; and finally the readiness to embrace different modes of mobility in the construction of italianità. By analysing the growing importance of the royal heirs and their performance on the public stage in post-Risorgimento Italy, this study investigates the attempted construction of a cohesive national identity through the crown and, more specifically, the heirs to the throne.

ISBN: 9783030845858$q(electronic bk.)

Standard No.: 10.1007/978-3-030-84585-8doiSubjects--Personal Names:

922316
Umberto
I,King of Italy,1844-1900.Subjects--Topical Terms:

584134
Nationalism
--History--Italy--19th century.Subjects--Geographical Terms:

391982
Italy
--Politics and government--1849-1870.

LC Class. No.: DG555 / .M37 2022

Dewey Class. No.: 945.084

The heirs to the Savoia throne and the construction of 'Italianita', 1860-1900
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505 0 $a 1. Introduction -- 2. The Royal Shop Window in the Nation's Market Place: Selling the Savoia Narrative -- 3. Royal and National Education: A 'Laboratory for Italianità' -- 4. Gender and Family: Realms of Royalty -- 5. Mobility: Royals on the Move -- 6. Conclusion.
520 $a This book explores the evolution of the role of the heirs to the throne of Italy between 1860 and 1900. It focuses on the future kings Umberto I (1844-1900) and Vittorio Emanuele III (1869-1947), and their respective spouses, Margherita of Savoia (1851-1926) and Elena of Montenegro (1873-1952) It sheds light on the soft power the Italian royals were attempting to generate, by identifying and examining four specific areas of monarchical activity: firstly, the heirs' public role and the manner in which they attempted to craft an Italian identity through a process of self-presentation; secondly, the national, royal, linguistic and military education of the heirs; thirdly, the promotion of a family-centred dynasty deploying both male and female elements in the public realm; and finally the readiness to embrace different modes of mobility in the construction of italianità. By analysing the growing importance of the royal heirs and their performance on the public stage in post-Risorgimento Italy, this study investigates the attempted construction of a cohesive national identity through the crown and, more specifically, the heirs to the throne.
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