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Ligeti's macroharmoniesa graphical-statistical analysis of Book 3 of the piano etudes /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ligeti's macroharmoniesby Nicolas Namoradze.
Reminder of title:	a graphical-statistical analysis of Book 3 of the piano etudes /
Author:	Namoradze, Nicolas.
Published:	Cham :Springer International Publishing :2022.
Description:	x, 203 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Mathematics in Music.
Online resource:	https://doi.org/10.1007/978-3-030-85694-6
ISBN:	9783030856946$q(electronic bk.)

Ligeti's macroharmoniesa graphical-statistical analysis of Book 3 of the piano etudes /
Namoradze, Nicolas.

Ligeti's macroharmoniesa graphical-statistical analysis of Book 3 of the piano etudes /[electronic resource] :by Nicolas Namoradze. - Cham :Springer International Publishing :2022. - x, 203 p. :ill., digital ;24 cm. - Computational music science,1868-0313. - Computational music science..

Introduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.

In the third and final book of his iconic piano etudes Gyorgy Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer's oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality-a key idea in his late style-and the centrality of processes related to broader scale areas (or "macroharmony") in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.

ISBN: 9783030856946$q(electronic bk.)

Standard No.: 10.1007/978-3-030-85694-6doiSubjects--Personal Names:

924145
Ligeti, Gyorgy,
1923-2006--Criticism and interpretation.Subjects--Topical Terms:

563603
Mathematics in Music.

LC Class. No.: ML410.L645 / N35 2022

Dewey Class. No.: 780.0519

Ligeti's macroharmoniesa graphical-statistical analysis of Book 3 of the piano etudes /
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505 0 $a Introduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
520 $a In the third and final book of his iconic piano etudes Gyorgy Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer's oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality-a key idea in his late style-and the centrality of processes related to broader scale areas (or "macroharmony") in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.
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