國立高雄大學圖資館 |

Tuning in to the neo-avant-gardeexperimental radio plays in the postwar period /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Tuning in to the neo-avant-gardeedited by Inge Arteel ... [et al.].
Reminder of title:	experimental radio plays in the postwar period /
other author:	Arteel, Inge.
Published:	Manchester :Manchester University Press,2021.
Description:	1 online resource (271 p.) :ill.
Subject:	Radio playsHistory and criticism.
Online resource:	https://portal.igpublish.com/iglibrary/search/MUPB0002065.html
ISBN:	9781526155726$q(electronic book)

Tuning in to the neo-avant-gardeexperimental radio plays in the postwar period /
Tuning in to the neo-avant-gardeexperimental radio plays in the postwar period /[electronic resource] :edited by Inge Arteel ... [et al.]. - Manchester :Manchester University Press,2021. - 1 online resource (271 p.) :ill.

Includes bibliographical references and index.

Access restricted to authorized users and institutions.

Tuning in to the neo-avant-garde offers the first in-depth study of the radio play's significance for the neo-avant-garde. In the postwar period, radio began to function as a site of artistic experimentation for the literary neo-avant-garde, especially in the form of the radio play. In the wake of the historical avant-garde, the neo-avant-garde had a strong interest in aural media, in the seemingly autonomous power of sound and voice. Therefore, it is not surprising that postwar avant-garde artists and literary writers in particular all across Europe, the US and the UK started to experiment with the radio play. Neo-avant-garde artists actively engaged with newly created studios and platforms in the postwar period. The contributions to this book examine how the radiophonic neo-avant-garde stages political questions and acknowledges its own ideological structure, while taking into account the public nature of radio. Alongside these cultural and political contexts, the book also reflects on intermedial and material issues to analyse how they have impacted artistic production in different parts of the world. Specific attention is paid to how artists explored the creative affordances of radio and the semiotics of auditory storytelling through electroacoustic manipulation, stereophonic positioning, montage and mixing, while also probing the ways in which they experimented in related genres and media such as music, sound poetry and theatre, questioning the boundaries between them. Because of its exclusive focus on the audiophonic realm, the book offers a valuable new perspective on the continuing debate surrounding the neo-avant-garde and its relationship with the historical avant-garde.

Mode of access: World Wide Web.

ISBN: 9781526155726$q(electronic book)Subjects--Topical Terms:

881900
Radio plays
--History and criticism.

LC Class. No.: PN1991.65.T86

Dewey Class. No.: 791.447

Tuning in to the neo-avant-gardeexperimental radio plays in the postwar period /
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520 3 $a Tuning in to the neo-avant-garde offers the first in-depth study of the radio play's significance for the neo-avant-garde. In the postwar period, radio began to function as a site of artistic experimentation for the literary neo-avant-garde, especially in the form of the radio play. In the wake of the historical avant-garde, the neo-avant-garde had a strong interest in aural media, in the seemingly autonomous power of sound and voice. Therefore, it is not surprising that postwar avant-garde artists and literary writers in particular all across Europe, the US and the UK started to experiment with the radio play. Neo-avant-garde artists actively engaged with newly created studios and platforms in the postwar period. The contributions to this book examine how the radiophonic neo-avant-garde stages political questions and acknowledges its own ideological structure, while taking into account the public nature of radio. Alongside these cultural and political contexts, the book also reflects on intermedial and material issues to analyse how they have impacted artistic production in different parts of the world. Specific attention is paid to how artists explored the creative affordances of radio and the semiotics of auditory storytelling through electroacoustic manipulation, stereophonic positioning, montage and mixing, while also probing the ways in which they experimented in related genres and media such as music, sound poetry and theatre, questioning the boundaries between them. Because of its exclusive focus on the audiophonic realm, the book offers a valuable new perspective on the continuing debate surrounding the neo-avant-garde and its relationship with the historical avant-garde.
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