國立高雄大學圖資館 |

Language: English

Back

Artist compleximages of artists in twentieth-century photography /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Artist complexedited by Jadwiga Kamola.
Reminder of title:	images of artists in twentieth-century photography /
other author:	Kamola, Jadwiga.
Published:	Berlin :De Gruyter,c2021.
Description:	1 online resource (198 p.) :ill. (some col.), ports.
Subject:	Artists
Online resource:	http://www.degruyter.com/isbn/9783110740165
ISBN:	9783110740165$q(PDF)

Artist compleximages of artists in twentieth-century photography /
Artist compleximages of artists in twentieth-century photography /[electronic resource] :edited by Jadwiga Kamola. - 1st ed. - Berlin :De Gruyter,c2021. - 1 online resource (198 p.) :ill. (some col.), ports. - Studies in theory and history of photography ;11. - Studies in theory and history of photography ;vol. 11..

Includes bibliographical references.

Frontmatter --

With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.

In English.

ISBN: 9783110740165$q(PDF)

Standard No.: 10.1515/9783110740165doi

LCCN: 2021938031Subjects--Topical Terms:

308367
Artists

LC Class. No.: TR681.A7 / A774 2021

Dewey Class. No.: 779.2092

Artist compleximages of artists in twentieth-century photography /
LDR:02995cmm a2200337 a 4500 001 626956
003 DE-B1597
005 20220424125308.0
006 m o d
007 cr cnu---unuuu
008 230118s2021 gw ac ob 000 0 eng d
010 $a 2021938031
020 $a 9783110740165$q(PDF)
020 $z 9783110686463$q(pbk.)
024 7 $a 10.1515/9783110740165 $2 doi
035 $a 9783110740165
040 $a DE-B1597 $b eng $c DE-B1597
041 0 $a eng
044 $a gw $c DE
050 0 0 $a TR681.A7 $b A774 2021
082 0 4 $a 779.2092 $2 23
245 0 0 $a Artist complex $h [electronic resource] : $b images of artists in twentieth-century photography / $c edited by Jadwiga Kamola.
250 $a 1st ed.
260 $a Berlin : $b De Gruyter, $c c2021.
300 $a 1 online resource (198 p.) : $b ill. (some col.), ports.
490 1 $a Studies in theory and history of photography ; $v 11
504 $a Includes bibliographical references.
505 0 0 $t Frontmatter -- $t Contents -- $t Preface -- $t Introduction Artist Complex -- $t Artist Complex. Thinking Photography with Carl Gustav Jung -- $t Genius -- $t Milieu sphérique, espace clos. The Studio of Georges Braque as a Romantic Place of Creation in Brassaї’s Photographic Portraits -- $t Claude Monet’s Graphic Work and the Myth of a Plein Air Pa inter -- $t Self -- $t Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction -- $t Demiurge, “Tough Prophet” and Scientist. Frederick Kiesler as The Greatest Self-Staging Architect of his Time -- $t Impossible Self-Portrait. Photographic Ga mes and Existential Inquiries in the Photographic Work of Witkacy–Głogowski -- $t Bodies -- $t “Jeff Koons is back!”. Forces at Work -- $t Natalia LL . Reading Categorical Statements from the Sphere of Post -Consumer Art , October 1975 as a Programmatic Self-Portrait -- $t Dialectics of Desire and Disgust. Adrian Piper’s Catalysis -- $t Work -- $t BERLIN ARTISTS. Photographic Field Research 2009–2014 -- $t List of contributors.
520 $a With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
546 $a In English.
588 0 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650 0 $a Artists $3 308367
650 0 $a Photography, Artistic $y 20th century. $3 930771
650 0 $a Portrait photography $x History $y 20th century. $3 930772
650 0 $a Portrait photography. $3 232602
700 1 $a Kamola, Jadwiga. $3 930769
830 0 $a Studies in theory and history of photography ; $v vol. 11. $3 930770
856 4 0 $u http://www.degruyter.com/isbn/9783110740165