國立高雄大學圖資館 |

Language: English

Back

Art history for comicspast, present and potential futures /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Art history for comicsby Ian Horton, Maggie Gray.
Reminder of title:	past, present and potential futures /
Author:	Horton, Ian.
other author:	Gray, Maggie.
Published:	Cham :Springer International Publishing :2022.
Description:	xv, 241 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Comic books, strips, etc.History and criticism
Online resource:	https://doi.org/10.1007/978-3-031-07353-3
ISBN:	9783031073533$q(electronic bk.)

Art history for comicspast, present and potential futures /
Horton, Ian.

Art history for comicspast, present and potential futures /[electronic resource] :by Ian Horton, Maggie Gray. - Cham :Springer International Publishing :2022. - xv, 241 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in comics and graphic novels,2634-6389. - Palgrave studies in comics and graphic novels..

This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies. Ian Horton is Reader in Graphic Communication at the University of the Arts London, UK. Maggie Gray is Senior Lecturer in Critical & Historical Studies at Kingston University, UK.

ISBN: 9783031073533$q(electronic bk.)

Standard No.: 10.1007/978-3-031-07353-3doiSubjects--Topical Terms:

929559
Comic books, strips, etc.
--History and criticism

LC Class. No.: PN6710

Dewey Class. No.: 741.59

Art history for comicspast, present and potential futures /
LDR:02391nmm a2200397 a 4500 001 630637
003 DE-He213
005 20220920111057.0
006 m d
007 cr nn 008maaau
008 230329s2022 sz s 0 eng d
020 $a 9783031073533$q(electronic bk.)
020 $a 9783031073526$q(paper)
024 7 $a 10.1007/978-3-031-07353-3 $2 doi
035 $a 978-3-031-07353-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PN6710
072 7 $a JFD $2 bicssc
072 7 $a FX $2 bicssc
072 7 $a JFD $2 bicssc
072 7 $a FX $2 bicssc
072 7 $a CGN000000 $2 bisacsh
072 7 $a JBCT $2 thema
072 7 $a X $2 thema
072 7 $a JBCT $2 thema
072 7 $a X $2 thema
082 0 4 $a 741.59 $2 23
090 $a PN6710 $b .H823 2022
100 1 $a Horton, Ian. $3 927656
245 1 0 $a Art history for comics $h [electronic resource] : $b past, present and potential futures / $c by Ian Horton, Maggie Gray.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xv, 241 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in comics and graphic novels, $x 2634-6389
520 $a This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies. Ian Horton is Reader in Graphic Communication at the University of the Arts London, UK. Maggie Gray is Senior Lecturer in Critical & Historical Studies at Kingston University, UK.
650 0 $a Comic books, strips, etc. $x History and criticism $x Theory, etc. $3 929559
650 0 $a Art $x History. $3 181582
650 1 4 $a Comics Studies. $3 855640
650 2 4 $a Art History. $3 212490
700 1 $a Gray, Maggie. $3 797530
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in comics and graphic novels. $3 745007
856 4 0 $u https://doi.org/10.1007/978-3-031-07353-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)