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Exploring Hartmut Rosa's concept of resonance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Exploring Hartmut Rosa's concept of resonanceby Mathijs Peters, Bareez Majid.
作者:	Peters, Mathijs.
其他作者:	Majid, Bareez.
出版者:	Cham :Springer International Publishing :2022.
面頁冊數:	xi, 167 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	SociologyPhilosophy.
電子資源:	https://doi.org/10.1007/978-3-031-18060-6
ISBN:	9783031180606$q(electronic bk.)

Exploring Hartmut Rosa's concept of resonance
Peters, Mathijs.

Exploring Hartmut Rosa's concept of resonance[electronic resource] /by Mathijs Peters, Bareez Majid. - Cham :Springer International Publishing :2022. - xi, 167 p. :ill., digital ;24 cm.

1. Introduction: Moments of Resonance -- 2. Defining, Critiquing, Defending and Revising Resonance -- 3. Towards a Spectrum of Resonance -- 4. Resonance and Aesthetic Experience: Between Critique and Postcritique -- 5. The Spectrum of Resonance and Edgard Reitz's Heimat -- 6. The Spectrum of Resonance and Amna Suraka -- 7. Conclusion: A Resonant Turn?

This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa's theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a 'spectrum of resonance' which encompasses both critical resonance and affirmationist resonance. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz's film Heimat and the music of Nick Cave and Kayhan Kalhor. The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory. Mathijs Peters is a lecturer at the Leiden University Centre for the Arts in Society, The Netherlands. Bareez Majid is a postdoctoral research fellow at the Heidelberg Centre for Transcultural Studies, Germany.

ISBN: 9783031180606$q(electronic bk.)

Standard No.: 10.1007/978-3-031-18060-6doiSubjects--Personal Names:

940573
Sociology
--Philosophy.Subjects--Topical Terms:

175962
Sociology
--Philosophy.

LC Class. No.: H61.15

Dewey Class. No.: 301.01

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505 0 $a 1. Introduction: Moments of Resonance -- 2. Defining, Critiquing, Defending and Revising Resonance -- 3. Towards a Spectrum of Resonance -- 4. Resonance and Aesthetic Experience: Between Critique and Postcritique -- 5. The Spectrum of Resonance and Edgard Reitz's Heimat -- 6. The Spectrum of Resonance and Amna Suraka -- 7. Conclusion: A Resonant Turn?
520 $a This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa's theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a 'spectrum of resonance' which encompasses both critical resonance and affirmationist resonance. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz's film Heimat and the music of Nick Cave and Kayhan Kalhor. The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory. Mathijs Peters is a lecturer at the Leiden University Centre for the Arts in Society, The Netherlands. Bareez Majid is a postdoctoral research fellow at the Heidelberg Centre for Transcultural Studies, Germany.
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