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On picture making and picture seeinga brief discourse /

Record Type:	Electronic resources : Monograph/item
Title/Author:	On picture making and picture seeingby Jan B. Deręgowski.
Reminder of title:	a brief discourse /
Author:	Deręgowski, Jan B.
Published:	Cham :Springer International Publishing :2023.
Description:	ix, 109 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Visual perception.
Online resource:	https://doi.org/10.1007/978-3-031-23348-7
ISBN:	9783031233487$q(electronic bk.)

On picture making and picture seeinga brief discourse /
Deręgowski, Jan B.

On picture making and picture seeinga brief discourse /[electronic resource] :by Jan B. Deręgowski. - Cham :Springer International Publishing :2023. - ix, 109 p. :ill., digital ;24 cm. - Vision, illusion and perception,v. 42365-7480 ;. - Vision, illusion and perception ;v.1..

Introduction in which the reader enters pictorial donnybrook -- On perception of depth, real and portrayed -- On perspective in many guises -- On prof. Farish's immediately comprehensible and Cezanne's immediately puzzling pictures -- On cultural press; If we draw, what and how should we draw?.

Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci's perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel's studies show that pictorial depth is often achieved to the artist's, and many a viewer's, but not to geometer's satisfaction by partial distortion, and Chinese masterpieces embody, side by side, 'normal' and inverted perspective. The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited. Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemiński postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.

ISBN: 9783031233487$q(electronic bk.)

Standard No.: 10.1007/978-3-031-23348-7doiSubjects--Topical Terms:

205511
Visual perception.

LC Class. No.: BF241

Dewey Class. No.: 152.14

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