國立高雄大學圖資館 |

Language: English

Back

Handbook of research on the relationship between autobiographical memory and photography

Record Type:	Electronic resources : Monograph/item
Title/Author:	Handbook of research on the relationship between autobiographical memory and photographyMark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe.
remainder title:	Research on the relationship between autobiographical memory and photography
other author:	Ingham, Mark,
Published:	Hershey, Pennsylvania :IGI Global,2023.
Description:	1 online resource (636 p.) :ill. (chiefly col.)
Subject:	PhotographyPsychological aspects.
Online resource:	http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-6684-5337-7
ISBN:	9781668453384 (electronic bk.)

Handbook of research on the relationship between autobiographical memory and photography
Handbook of research on the relationship between autobiographical memory and photography[electronic resource] /Research on the relationship between autobiographical memory and photographyMark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe. - Hershey, Pennsylvania :IGI Global,2023. - 1 online resource (636 p.) :ill. (chiefly col.) - Advances in media, entertainment, and the arts (AMEA) book series. - Advances in media, entertainment, and the arts (AMEA) book series..

Includes bibliographical references and index.

Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and reproducing autobiographical memory: discovering the historical family archive ; Chapter 21. Milk is a thin fluid thickly filled with opaque white globules -- Section 5. Six entangled ecologies of autobiographical memory and photography. Chapter 22. Photographic non-self ; Chapter 23. Urgent autobiographies: lived experiences of ecology in photographic practice ; Chapter 24. The frame and the fold:violent autobiography, photography, and unfurling from flatness ; Chapter 25. Beads in the necklace of time ; Chapter 26. The impossible remembering in Walid Raad's artwork "secrets in the open sea" (1994/2004) ; Chapter 27. The memory ofothers.

"Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"--

ISBN: 9781668453384 (electronic bk.)Subjects--Topical Terms:

952255
Photography
--Psychological aspects.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: TR183 / .H364 2023e

Dewey Class. No.: 770

Handbook of research on the relationship between autobiographical memory and photography
LDR:04197nmm a2200289 a 4500 001 644095
006 m d
007 cr nn muauu
008 231206s2023 paua fobf 001 0 eng d
020 $a 9781668453384 (electronic bk.)
020 $a 1668453371
020 $a 9781668453377
035 $a (CaBNVSL)slc00004103
035 $a (OCoLC)1340038375
035 $a 00294899
040 $a CaBNVSL $b eng $c CaBNVSL $d CaBNVSL
041 0 $a eng
050 4 $a TR183 $b .H364 2023e
082 0 4 $a 770 $2 23
245 0 0 $a Handbook of research on the relationship between autobiographical memory and photography $h [electronic resource] / $c Mark Bruce Nigel Ingham, Nela Milic, Vasileios Kantas, Sara Andersdotter, Paul Lowe.
246 3 0 $a Research on the relationship between autobiographical memory and photography
260 $a Hershey, Pennsylvania : $b IGI Global, $c 2023.
300 $a 1 online resource (636 p.) : $b ill. (chiefly col.)
490 1 $a Advances in media, entertainment, and the arts (AMEA) book series
504 $a Includes bibliographical references and index.
505 0 $a Section 1. Mobilisations of memory: re-imaginings, re-interpretations, and other catalysts for re-negotiating the past. Chapter 1. Interior archives: an experiment in autobiographical fiction ; Chapter 2. Trauma and memory in women's photographic practice: a diffractive posthuman approach ; Chapter 3. Staging sermon: performing autobiographical memory through "the waste land" ; Chapter 4. The inland lighthouse: a photographic study and interpretation of place and remembrance ; Chapter 5. Still forgetting: minor photographic approaches to desmemòria in the post-Franco era -- Section 2. Interplays sketching a self: psychic configurations, embodied instances. Chapter 6. Playing myself/selves: the unknowing of autobiographical photographic self-portraits ; Chapter 7. Photography as writing of the self ; Chapter 8. Memories of the cruel radiance: the lost art of autopathography ; Chapter 9. The intertwiningthe chiasm: embodiment, affect, and autobiographical photography ; Chapter 10. The burden of the screen: virtual presence and death during Covid-19 ; Chapter 11. The body in photography: a psychological "real"-istic reading -- Section 3. To have and to hold: in the absence ofphotograph. Chapter 12. Make the most of your memories: re-enactment phototherapy, auto-ethnography, memorialisation ; Chapter 13. Identity politics: a study of diasporic identity mediated through family photography ; Chapter 14. To have and to hold: touch and the objects of the dead ; Chapter 15. In the absence of the photograph ; Chapter 16. The implicated spectator: inscribing oneself into a photograph -- Section 4. Shadowy archives. Chapter 17. Embodying the family album:photography as a mnemonic device ; Chapter 18. Beyond the photograph: the phenomenon of confabulation in family photographs counter-memory and narrative from the silenced shadow archives ; Chapter 19. Me and my mom's camera: family archives and collaborative memory work ; Chapter 20. Understanding, reactivating, and reproducing autobiographical memory: discovering the historical family archive ; Chapter 21. Milk is a thin fluid thickly filled with opaque white globules -- Section 5. Six entangled ecologies of autobiographical memory and photography. Chapter 22. Photographic non-self ; Chapter 23. Urgent autobiographies: lived experiences of ecology in photographic practice ; Chapter 24. The frame and the fold:violent autobiography, photography, and unfurling from flatness ; Chapter 25. Beads in the necklace of time ; Chapter 26. The impossible remembering in Walid Raad's artwork "secrets in the open sea" (1994/2004) ; Chapter 27. The memory ofothers.
520 $a "Autobiographical memory and photography have been inextricably linked since the first photographs appeared during the 19th Century and this book edited and written by world-class scholars who are both theorists and practitioners will add significantly to the debate about how we remember the past and how we do this through, with and by photography and photographs"-- $c Provided by publisher.
650 0 $a Photography $x Psychological aspects. $3 952255
650 0 $a Autobiographical memory in photographs. $3 952256
650 0 $a Autobiographical memory. $3 189228
655 4 $a Electronic books. $2 local. $3 214472
700 1 $a Ingham, Mark, $d 1960-. $3 952249
700 1 $a Milic, Nela. $3 952250
700 1 $a Kantas, Vasileios. $3 952251
700 1 $a Andersdotter, Sara. $3 952252
700 1 $a Lowe, Paul. $3 952253
710 2 $a IGI Global. $3 529832
830 0 $a Advances in media, entertainment, and the arts (AMEA) book series. $3 952254
856 4 0 $u http://services.igi-global.com/resolvedoi/resolve.aspx?doi=10.4018/978-1-6684-5337-7