國立高雄大學圖資館 |

Defining waka musicallysongs of male love in premodern Japan /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Defining waka musicallyby Christopher Hepburn.
Reminder of title:	songs of male love in premodern Japan /
Author:	Hepburn, Christopher.
Published:	Cham :Springer Nature Switzerland :2023.
Description:	xxiii, 100 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	WakaHistory and criticism.
Online resource:	https://doi.org/10.1007/978-3-031-36716-8
ISBN:	9783031367168$q(electronic bk.)

Defining waka musicallysongs of male love in premodern Japan /
Hepburn, Christopher.

Defining waka musicallysongs of male love in premodern Japan /[electronic resource] :by Christopher Hepburn. - Cham :Springer Nature Switzerland :2023. - xxiii, 100 p. :ill., digital ;24 cm.

1: Cursed Questions, or An Introduction to Defining Waka Musically -- 2: Foreplay, or On Defining Waka Musically -- 3: Fluid Mechanics, or On Interpreting Waka Musically -- 4: Liquid Love, or Five Premodern Japanese Songs of Male Love -- 5: Dissolve, or On Revisiting Defining Waka Musically.

This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin's Iwatsutsuji (1676) and Ihara Saikaku's Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire.

ISBN: 9783031367168$q(electronic bk.)

Standard No.: 10.1007/978-3-031-36716-8doiSubjects--Topical Terms:

700949
Waka
--History and criticism.

LC Class. No.: PL728 / .H47 2023

Dewey Class. No.: 895.6132093543

Defining waka musicallysongs of male love in premodern Japan /
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505 0 $a 1: Cursed Questions, or An Introduction to Defining Waka Musically -- 2: Foreplay, or On Defining Waka Musically -- 3: Fluid Mechanics, or On Interpreting Waka Musically -- 4: Liquid Love, or Five Premodern Japanese Songs of Male Love -- 5: Dissolve, or On Revisiting Defining Waka Musically.
520 $a This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin's Iwatsutsuji (1676) and Ihara Saikaku's Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire.
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650 0 $a Love in literature. $3 192497
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