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Conflict cinemas in Northern Ireland and Brazil

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Conflict cinemas in Northern Ireland and Brazilby Ketlyn Mara Rosa.
作者:	Rosa, Ketlyn Mara.
出版者:	Cham :Springer International Publishing :2023.
面頁冊數:	xi, 217 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Violence in motion pictures.
標題:	Northern IrelandHistory
電子資源:	https://doi.org/10.1007/978-3-031-34698-9
ISBN:	9783031346989$q(electronic bk.)

Conflict cinemas in Northern Ireland and Brazil
Rosa, Ketlyn Mara.

Conflict cinemas in Northern Ireland and Brazil[electronic resource] /by Ketlyn Mara Rosa. - Cham :Springer International Publishing :2023. - xi, 217 p. :ill., digital ;24 cm.

1. Introduction -- 2. Unspeakable acts: embodiment and perception in Bloody Sunday and '71 -- 3. Embodied violation in Tropa de Elite and A Divisão: the spectacle of torture and violence in Rio's favelas -- 4. Corporeal navigation of carceral spaces in Northern Ireland: the sensorial geography of limitation in Maze and Silent Grace -- 5. Marginalized bodies and violated senses: representations of inhumane confinement in Carandiru and Quase Dois Irmãos -- 6. Final Thoughts.

This book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, São Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception.

ISBN: 9783031346989$q(electronic bk.)

Standard No.: 10.1007/978-3-031-34698-9doiSubjects--Topical Terms:

352232
Violence in motion pictures.
Subjects--Geographical Terms:

434858
Northern Ireland
--History

LC Class. No.: PN1995.9.V5 / R67 2023

Dewey Class. No.: 791.4309416

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505 0 $a 1. Introduction -- 2. Unspeakable acts: embodiment and perception in Bloody Sunday and '71 -- 3. Embodied violation in Tropa de Elite and A Divisão: the spectacle of torture and violence in Rio's favelas -- 4. Corporeal navigation of carceral spaces in Northern Ireland: the sensorial geography of limitation in Maze and Silent Grace -- 5. Marginalized bodies and violated senses: representations of inhumane confinement in Carandiru and Quase Dois Irmãos -- 6. Final Thoughts.
520 $a This book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, São Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception.
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