國立高雄大學圖資館 |

Beyond Shakespearefilm studies, performance studies, and Netflix /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Beyond Shakespeareby Iris H. Tuan.
Reminder of title:	film studies, performance studies, and Netflix /
Author:	Tuan, Iris Hsin-chun.
Published:	Singapore :Springer Nature Singapore :2023.
Description:	xxvii, 269 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Film and Television Studies.
Online resource:	https://doi.org/10.1007/978-981-19-9402-9
ISBN:	9789811994029$q(electronic bk.)

Beyond Shakespearefilm studies, performance studies, and Netflix /
Tuan, Iris Hsin-chun.

Beyond Shakespearefilm studies, performance studies, and Netflix /[electronic resource] :by Iris H. Tuan. - Singapore :Springer Nature Singapore :2023. - xxvii, 269 p. :ill. (some col.), digital ;24 cm.

Chapter 1 Introduction -- Part I Asian American Theatre and Asian Performances -- Chapter 2 Race and Identity in David Henry Hwang's Plays and Musicals -- Chapter 3 River/Cloud: Fill in the Blank via Memory, Imagination, and Meta-theatre -- Chapter 4 Theatre Ecology, Nature, and Politics in Shakespeare's Plays and Hold On, Love! -- Part II Shakespeare -- Chapter 5 Food/Drink Consumption, Emotions, and Obsessions in Shakespeare's Plays and Art -- Chapter 6 Women and the 'Feminine' by Quoting Shakespeare's Sonnets and Image Change in Screen -- Chapter 7 During COVID-19 Pandemics, Reflect on Plagues in Shakespeare's Plays -- Chapter 8 Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus -- Chapter 9 Images, Travelling, and Visual Culture in Shakespeare's Plays: Through and Beyond Repetition -- Part III Netflix TV Dramas -- Chapter 10 Immaterial Representations in Altered Carbon: Sex, Body, and Memories -- Chapter 11 (In)Hospitality and Visual Culture in Downton Abbey -- Chapter 12 Conclusion.

With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings' accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare's time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas. Iris H. Tuan is a Professor at National Yang Ming Chiao Tung University in Taiwan. Tuan received her Ph.D. in Theater from UCLA. Tuan was a Visiting Scholar in the Department of English at Harvard University. Her excellent and prolific publications include hundreds of papers and ten books, such as Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama (2020), Translocal Performance in Asian Theatre and Film (Palgrave Macmillan, 2018), and co-edited Transnational Performance, Identity and Mobility in Asia (Palgrave Macmillan, 2018)

ISBN: 9789811994029$q(electronic bk.)

Standard No.: 10.1007/978-981-19-9402-9doiSubjects--Personal Names:

392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:

740041
Film and Television Studies.

LC Class. No.: PR2965

Dewey Class. No.: 822.33

Beyond Shakespearefilm studies, performance studies, and Netflix /
LDR:03408nmm a2200325 a 4500 001 648775
003 DE-He213
005 20230725173341.0
006 m d
007 cr nn 008maaau
008 240116s2023 si s 0 eng d
020 $a 9789811994029$q(electronic bk.)
020 $a 9789811994012$q(paper)
024 7 $a 10.1007/978-981-19-9402-9 $2 doi
035 $a 978-981-19-9402-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PR2965
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 822.33 $2 23
090 $a PR2965 $b .T883 2023
100 1 $a Tuan, Iris Hsin-chun. $3 958607
245 1 0 $a Beyond Shakespeare $h [electronic resource] : $b film studies, performance studies, and Netflix / $c by Iris H. Tuan.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xxvii, 269 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Chapter 1 Introduction -- Part I Asian American Theatre and Asian Performances -- Chapter 2 Race and Identity in David Henry Hwang's Plays and Musicals -- Chapter 3 River/Cloud: Fill in the Blank via Memory, Imagination, and Meta-theatre -- Chapter 4 Theatre Ecology, Nature, and Politics in Shakespeare's Plays and Hold On, Love! -- Part II Shakespeare -- Chapter 5 Food/Drink Consumption, Emotions, and Obsessions in Shakespeare's Plays and Art -- Chapter 6 Women and the 'Feminine' by Quoting Shakespeare's Sonnets and Image Change in Screen -- Chapter 7 During COVID-19 Pandemics, Reflect on Plagues in Shakespeare's Plays -- Chapter 8 Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus -- Chapter 9 Images, Travelling, and Visual Culture in Shakespeare's Plays: Through and Beyond Repetition -- Part III Netflix TV Dramas -- Chapter 10 Immaterial Representations in Altered Carbon: Sex, Body, and Memories -- Chapter 11 (In)Hospitality and Visual Culture in Downton Abbey -- Chapter 12 Conclusion.
520 $a With joy and grace to accompany the readers to have the translocal tour to visit about thirty-seven works, this monograph applies the academic critical theories of Performance Studies, Film Studies, Psychoanalysis, Postmodernism, and Visual Culture, to interpreting the special selection works. The focus and common theme are on race, body, and class. With the background of COVID-19 since 2019 up to the present, the book offers the readers with the remarkable insight of human beings' accumulated wisdom and experiences in surviving with the dreadful diseases like the plagues in Shakespeare's time. After the supreme reading, may the global readers in the world acquire the knowledge and power to live in sustainability with education and entertainment of films, performances, and online streaming Netflix TV dramas. Iris H. Tuan is a Professor at National Yang Ming Chiao Tung University in Taiwan. Tuan received her Ph.D. in Theater from UCLA. Tuan was a Visiting Scholar in the Department of English at Harvard University. Her excellent and prolific publications include hundreds of papers and ten books, such as Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama (2020), Translocal Performance in Asian Theatre and Film (Palgrave Macmillan, 2018), and co-edited Transnational Performance, Identity and Mobility in Asia (Palgrave Macmillan, 2018)
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Histories. $3 392937
650 1 4 $a Film and Television Studies. $3 740041
650 2 4 $a Theatre Industry. $3 775938
650 2 4 $a Contemporary Theatre and Performance. $3 915021
650 2 4 $a Popular Culture. $3 763075
650 2 4 $a Cultural Studies. $3 561258
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-19-9402-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)