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In Stravinsky's orbitresponses to Modernism in Russian Paris /

Record Type:	Electronic resources : Monograph/item
Title/Author:	In Stravinsky's orbitKlára Móricz.
Reminder of title:	responses to Modernism in Russian Paris /
Author:	Móricz, Klára,
Published:	Oakland, CA :University of California Press,c2020.
Description:	1 online resource (xiv, 290 p.) :ill.
Subject:	Expatriate composersFrance
Online resource:	https://www.degruyter.com/isbn/9780520975521
ISBN:	9780520975521$q(epub)

In Stravinsky's orbitresponses to Modernism in Russian Paris /
Móricz, Klára,1962-

In Stravinsky's orbitresponses to Modernism in Russian Paris /[electronic resource] :Klára Móricz. - Oakland, CA :University of California Press,c2020. - 1 online resource (xiv, 290 p.) :ill.

Includes bibliographical references and index.

The Bolsheviks'1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.

ISBN: 9780520975521$q(epub)

Standard No.: 10.1525/9780520975521doiSubjects--Personal Names:

331147
Stravinsky, Igor,
1882-1971.Subjects--Topical Terms:

959937
Expatriate composers
--France

LC Class. No.: ML270.8.P2 / M67 2020

Dewey Class. No.: 780.92/247

In Stravinsky's orbitresponses to Modernism in Russian Paris /
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100 1 $a Móricz, Klára, $d 1962- $3 959932
245 1 0 $a In Stravinsky's orbit $h [electronic resource] : $b responses to Modernism in Russian Paris / $c Klára Móricz.
260 $a Oakland, CA : $b University of California Press, $c c2020.
300 $a 1 online resource (xiv, 290 p.) : $b ill.
504 $a Includes bibliographical references and index.
520 $a The Bolsheviks'1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.
588 $a Description based on print version record.
600 1 0 $a Stravinsky, Igor, $d 1882-1971. $3 331147
600 1 0 $a Duke, Vernon, $d 1903-1969. $3 959933
600 1 0 $a Prokofiev, Sergey, $d 1891-1953. $t Symphonies, $n op. 25. $r Classique. $3 436270
600 1 0 $a Nabokov, Nicolas, $d 1903-1978. $3 959934
600 1 0 $a Lourié, Arthur, $d 1892-1966. $3 959935
650 0 $a Expatriate composers $z France $z Paris. $3 959937
650 0 $a Composers $z Soviet Union. $3 959938
650 0 $a Music $z France $z Paris $y 20th century $x History and criticism. $3 959936
856 4 0 $u https://www.degruyter.com/isbn/9780520975521