國立高雄大學圖資館 |

Language: English

Back

Facing up to the history of emotions

Record Type:	Electronic resources : Monograph/item
Title/Author:	Facing up to the history of emotionsedited by Stephanie Downes, Stephanie Trigg.
other author:	Downes, Stephanie.
Published:	Cham :Springer Nature Switzerland :2023.
Description:	v, 136 p. :ill., digital ;24 cm.
Notes:	"Previously published in postmedieval. Volume 8, issue 1, February 2017."
Contained By:	Springer Nature eBook
Subject:	Emotions in literature.
Online resource:	https://doi.org/10.1007/978-3-031-46413-3
ISBN:	9783031464133$q(electronic bk.)

Facing up to the history of emotions
Facing up to the history of emotions[electronic resource] /edited by Stephanie Downes, Stephanie Trigg. - Cham :Springer Nature Switzerland :2023. - v, 136 p. :ill., digital ;24 cm.

"Previously published in postmedieval. Volume 8, issue 1, February 2017."

1. Facing Up to the History of Emotions -- 2. Reading faces: how did late medieval Europeans interpret emotions in faces? -- 3. Gower's blushing bird, Philomela's transforming face -- 4. Mirthful faces in The Name of the Rose -- 5. The redemptive power of the face: from Beatrice (Portinari) to Bérénice (Bejo) -- 6. The grins of others: Figuring ethnic difference in medieval facial expressions -- 7. Phenomenal pain: Embodying the Passion in the Life of Elizabeth of Spalbeek -- 8. Emotions in history and literature -- 9. Erratum to: Mediating meanings: conservation of the Staffordshire Hoard.

This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best 'face up' to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom 'facing up,' its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices - as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions. Previously published in postmedieval Volume 8, issue 1, February 2017. Stephanie Downes is Lecturer at La Trobe University, Australia. Stephanie Trigg is Redmond Barry Distinguished Professor at the University of Melbourne, Australia.

ISBN: 9783031464133$q(electronic bk.)

Standard No.: 10.1007/978-3-031-46413-3doiSubjects--Topical Terms:

178769
Emotions in literature.

LC Class. No.: PN56.E6

Dewey Class. No.: 809.93353

Facing up to the history of emotions
LDR:02870nmm a2200337 a 4500 001 653339
003 DE-He213
005 20231226090748.0
006 m d
007 cr nn 008maaau
008 240426s2023 sz s 0 eng d
020 $a 9783031464133$q(electronic bk.)
020 $a 9783031464126$q(paper)
024 7 $a 10.1007/978-3-031-46413-3 $2 doi
035 $a 978-3-031-46413-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PN56.E6
072 7 $a HBTB $2 bicssc
072 7 $a HIS054000 $2 bisacsh
072 7 $a NHTB $2 thema
082 0 4 $a 809.93353 $2 23
090 $a PN56.E6 $b F141 2023
245 0 0 $a Facing up to the history of emotions $h [electronic resource] / $c edited by Stephanie Downes, Stephanie Trigg.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a v, 136 p. : $b ill., digital ; $c 24 cm.
500 $a "Previously published in postmedieval. Volume 8, issue 1, February 2017."
505 0 $a 1. Facing Up to the History of Emotions -- 2. Reading faces: how did late medieval Europeans interpret emotions in faces? -- 3. Gower's blushing bird, Philomela's transforming face -- 4. Mirthful faces in The Name of the Rose -- 5. The redemptive power of the face: from Beatrice (Portinari) to Bérénice (Bejo) -- 6. The grins of others: Figuring ethnic difference in medieval facial expressions -- 7. Phenomenal pain: Embodying the Passion in the Life of Elizabeth of Spalbeek -- 8. Emotions in history and literature -- 9. Erratum to: Mediating meanings: conservation of the Staffordshire Hoard.
520 $a This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best 'face up' to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom 'facing up,' its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices - as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions. Previously published in postmedieval Volume 8, issue 1, February 2017. Stephanie Downes is Lecturer at La Trobe University, Australia. Stephanie Trigg is Redmond Barry Distinguished Professor at the University of Melbourne, Australia.
650 0 $a Emotions in literature. $3 178769
650 0 $a Emotions $x Sociological aspects. $3 244226
650 0 $a Emotions $v Cross-cultural studies. $3 444260
650 1 4 $a Cultural History. $3 742092
650 2 4 $a History of Medieval Europe. $3 739783
650 2 4 $a Medieval Literature. $3 739784
700 1 $a Downes, Stephanie. $3 963798
700 1 $a Trigg, Stephanie. $3 635208
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-46413-3
950 $a History (SpringerNature-41172)