國立高雄大學圖資館 |

Language: English

Back

Landscape, association, empireimagining Van Diemen's Land /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Landscape, association, empireby Philip Hutch, Elaine Stratford.
Reminder of title:	imagining Van Diemen's Land /
Author:	Hutch, Philip.
other author:	Stratford, Elaine.
Published:	Singapore :Springer Nature Singapore :2023.
Description:	xxv, 217 p. :illustrations (chiefly color), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Human geographyAustralia
Subject:	TasmaniaRace relations.
Online resource:	https://doi.org/10.1007/978-981-99-5419-3
ISBN:	9789819954193$q(electronic bk.)

Landscape, association, empireimagining Van Diemen's Land /
Hutch, Philip.

Landscape, association, empireimagining Van Diemen's Land /[electronic resource] :by Philip Hutch, Elaine Stratford. - Singapore :Springer Nature Singapore :2023. - xxv, 217 p. :illustrations (chiefly color), digital ;24 cm.

1. Introduction -- 2. Frames, Canvases, and Perspectives -- 3. Mapping and Picturing Worlds: Harris, Evans, Frankland -- 4. Relocation and Return: Lycett and Prout -- 5. Making Home Place: Allport and Meredith -- 6. Reflections and Horizons.

Long-standing imaginings of Van Diemen's Land-as island, as ends of worlds, as pristine wilderness, as emptied of Aborigines-continue to shape contemporary lutruwita/Tasmania. In this superbly contextualised engagement with the work of seven colonial artists, Hutch and Stratford show how associationist thinking was integral to settler landscapes of dispossession and possession. Landscape, Association, Empire provides a surprisingly hopeful wrestling with the fraught legacies of settler colonialism; the future can be imagined otherwise. -Professor Lesley Head, University of Melbourne, Australia Landscape, Association, Empire explores how representation echoes, shapes, and haunts understanding. It carefully documents the interplay of art, image, policy, and action that tried to create Van Diemen's Land as a place of white innocence and Indigenous absence in the presence of genocide. Its impressive scholarship traces the contexts of colonising through place-making and place-imagining as distilled in landscape paintings. It insists that representation is never neutral or context free; always it has consequences. Hutch and Stratford's brilliant rethinking of colonial imagery undermines narratives of settlement, inviting new conceptualisations of how Tasmania's pasts, presents, and futures connect. -Professor Richie Howitt, Macquarie University, Australia This fascinating and important book critically examines the diverse works of seven nineteenth century topographical artists, surveyors and writers in Van Diemen's Land. It is illustrated with over 60 carefully selected drawings, paintings, and maps. The authors provide many original and thought-provoking insights into the ways settlers' aesthetic associations were used to construct different ideas of place and home. -Professor Charles Watkins, University of Nottingham, UK Philip Hutch is an honorary associate in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania. His research focus is on the intellectual history of pictures of place and landscape and on association and processes of mind. Elaine Stratford is a professor in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania, with interests in the geohumanities and cultural and political geography and in how people flourish in place, in their movements, in daily life, and over the life-course.

ISBN: 9789819954193$q(electronic bk.)

Standard No.: 10.1007/978-981-99-5419-3doiSubjects--Topical Terms:

965233
Human geography
--AustraliaSubjects--Geographical Terms:

771244
Tasmania
--Race relations.

LC Class. No.: GF802.T37

Dewey Class. No.: 304.209946

Landscape, association, empireimagining Van Diemen's Land /
LDR:03658nmm a2200325 a 4500 001 654315
003 DE-He213
005 20231202191327.0
006 m d
007 cr nn 008maaau
008 240426s2023 si s 0 eng d
020 $a 9789819954193$q(electronic bk.)
020 $a 9789819954186$q(paper)
024 7 $a 10.1007/978-981-99-5419-3 $2 doi
035 $a 978-981-99-5419-3
040 $a GP $c GP
041 0 $a eng
050 4 $a GF802.T37
072 7 $a RGC $2 bicssc
072 7 $a SOC015000 $2 bisacsh
072 7 $a RGC $2 thema
082 0 4 $a 304.209946 $2 23
090 $a GF802.T37 $b H973 2023
100 1 $a Hutch, Philip. $3 965232
245 1 0 $a Landscape, association, empire $h [electronic resource] : $b imagining Van Diemen's Land / $c by Philip Hutch, Elaine Stratford.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xxv, 217 p. : $b illustrations (chiefly color), digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Frames, Canvases, and Perspectives -- 3. Mapping and Picturing Worlds: Harris, Evans, Frankland -- 4. Relocation and Return: Lycett and Prout -- 5. Making Home Place: Allport and Meredith -- 6. Reflections and Horizons.
520 $a Long-standing imaginings of Van Diemen's Land-as island, as ends of worlds, as pristine wilderness, as emptied of Aborigines-continue to shape contemporary lutruwita/Tasmania. In this superbly contextualised engagement with the work of seven colonial artists, Hutch and Stratford show how associationist thinking was integral to settler landscapes of dispossession and possession. Landscape, Association, Empire provides a surprisingly hopeful wrestling with the fraught legacies of settler colonialism; the future can be imagined otherwise. -Professor Lesley Head, University of Melbourne, Australia Landscape, Association, Empire explores how representation echoes, shapes, and haunts understanding. It carefully documents the interplay of art, image, policy, and action that tried to create Van Diemen's Land as a place of white innocence and Indigenous absence in the presence of genocide. Its impressive scholarship traces the contexts of colonising through place-making and place-imagining as distilled in landscape paintings. It insists that representation is never neutral or context free; always it has consequences. Hutch and Stratford's brilliant rethinking of colonial imagery undermines narratives of settlement, inviting new conceptualisations of how Tasmania's pasts, presents, and futures connect. -Professor Richie Howitt, Macquarie University, Australia This fascinating and important book critically examines the diverse works of seven nineteenth century topographical artists, surveyors and writers in Van Diemen's Land. It is illustrated with over 60 carefully selected drawings, paintings, and maps. The authors provide many original and thought-provoking insights into the ways settlers' aesthetic associations were used to construct different ideas of place and home. -Professor Charles Watkins, University of Nottingham, UK Philip Hutch is an honorary associate in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania. His research focus is on the intellectual history of pictures of place and landscape and on association and processes of mind. Elaine Stratford is a professor in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania, with interests in the geohumanities and cultural and political geography and in how people flourish in place, in their movements, in daily life, and over the life-course.
650 0 $a Human geography $z Australia $z Tasmania. $3 965233
650 0 $a Art and geography $z Australia $z Tasmania. $3 965234
650 0 $a Landscapes in art. $3 564905
650 0 $a Imperialism. $3 180063
650 1 4 $a Human Geography. $3 274571
650 2 4 $a Social and Cultural Geography. $3 920570
650 2 4 $a History of Ideas. $3 936405
650 2 4 $a Imperialism and Colonialism. $3 739847
650 2 4 $a Human Migration. $3 919757
651 0 $a Tasmania $x Race relations. $3 771244
700 1 $a Stratford, Elaine. $3 926858
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-981-99-5419-3
950 $a Social Sciences (SpringerNature-41176)