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An anthropology of making in Santa Clara del Cobrepresence of absence /

Record Type:	Electronic resources : Monograph/item
Title/Author:	An anthropology of making in Santa Clara del Cobreby Michele Avis Feder-Nadoff ; foreword by Tim Ingold.
Reminder of title:	presence of absence /
Author:	Feder-Nadoff, Michele.
other author:	Ingold, Tim.
Published:	Cham :Springer International Publishing :2024.
Description:	xxxiii, 484 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Art and anthropologyMexico
Online resource:	https://doi.org/10.1007/978-3-031-36682-6
ISBN:	9783031366826$q(electronic bk.)

An anthropology of making in Santa Clara del Cobrepresence of absence /
Feder-Nadoff, Michele.

An anthropology of making in Santa Clara del Cobrepresence of absence /[electronic resource] :by Michele Avis Feder-Nadoff ; foreword by Tim Ingold. - Cham :Springer International Publishing :2024. - xxxiii, 484 p. :ill. (some col.), digital ;24 cm.

1. Un-finishing Memory -- 2. Field of Corn -- 3. Forge: Hearth and Home -- 4. The Copper Fair -- 5. Person and Place: The Life-World of Maestro Jesús Pérez Ornelas -- 6. The Good Piece: An Aesthetics of Making -- 7. Aesthetics of Memory and Use -- 8. Aesthetics of Time and Space -- 9. Aesthetics of Abduction and Fragmentation -- 10. Restoring Aura: Straight from the Heart.

This book offers a nuanced reflection on the meaning of making and artisan agency, demonstrating how copper-smithing produces not only objects, but also lives, worlds, meanings, and social transformation. Through long-term ethnography, grounded in apprenticeship to master coppersmith Jesús Pérez Ornelas, Feder-Nadoff's intimate description of communal and artisanal life in Santa Clara del Cobre, Michoacán, México provides a critical reappraisal of aesthetics and compelling ways to think about how aura and agency are produced. By mapping flows and frictions between persons, places, and things, this study closes the gap between economic and socio-political analysis of craft, on the one hand, and aesthetic, material, and phenomenological studies of making, on the other. Although craft historically plays a prominent national, even ideological role in Mexico, as in many countries, most artisans ironically remain absent, often living in marginalized, precarious circumstances. By tracing the cycles of life, death, and afterlife, of these maker-protagonists, their bodies of knowledge, skilled performances, and objects, this poetic monograph testifies to their presence.

ISBN: 9783031366826$q(electronic bk.)

Standard No.: 10.1007/978-3-031-36682-6doiSubjects--Topical Terms:

971142
Art and anthropology
--Mexico

LC Class. No.: N6555.6 / .F43 2024

Dewey Class. No.: 701.03

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505 0 $a 1. Un-finishing Memory -- 2. Field of Corn -- 3. Forge: Hearth and Home -- 4. The Copper Fair -- 5. Person and Place: The Life-World of Maestro Jesús Pérez Ornelas -- 6. The Good Piece: An Aesthetics of Making -- 7. Aesthetics of Memory and Use -- 8. Aesthetics of Time and Space -- 9. Aesthetics of Abduction and Fragmentation -- 10. Restoring Aura: Straight from the Heart.
520 $a This book offers a nuanced reflection on the meaning of making and artisan agency, demonstrating how copper-smithing produces not only objects, but also lives, worlds, meanings, and social transformation. Through long-term ethnography, grounded in apprenticeship to master coppersmith Jesús Pérez Ornelas, Feder-Nadoff's intimate description of communal and artisanal life in Santa Clara del Cobre, Michoacán, México provides a critical reappraisal of aesthetics and compelling ways to think about how aura and agency are produced. By mapping flows and frictions between persons, places, and things, this study closes the gap between economic and socio-political analysis of craft, on the one hand, and aesthetic, material, and phenomenological studies of making, on the other. Although craft historically plays a prominent national, even ideological role in Mexico, as in many countries, most artisans ironically remain absent, often living in marginalized, precarious circumstances. By tracing the cycles of life, death, and afterlife, of these maker-protagonists, their bodies of knowledge, skilled performances, and objects, this poetic monograph testifies to their presence.
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