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Punchdrunk on the classicsexperiencing immersion in the burnt city and beyond /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Punchdrunk on the classicsby Emma Cole.
Reminder of title:	experiencing immersion in the burnt city and beyond /
Author:	Cole, Emma.
Published:	Cham :Springer International Publishing :2024.
Description:	xvi, 233 p. :ill. (chiefly col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Greek drama (Tragedy)Adaptations
Online resource:	https://doi.org/10.1007/978-3-031-43067-1
ISBN:	9783031430671$q(electronic bk.)

Punchdrunk on the classicsexperiencing immersion in the burnt city and beyond /
Cole, Emma.

Punchdrunk on the classicsexperiencing immersion in the burnt city and beyond /[electronic resource] :by Emma Cole. - Cham :Springer International Publishing :2024. - xvi, 233 p. :ill. (chiefly col.), digital ;24 cm.

Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City's Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.

Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk's use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk's creative development windows, and the company's final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience's experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk's practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.

ISBN: 9783031430671$q(electronic bk.)

Standard No.: 10.1007/978-3-031-43067-1doiSubjects--Corporate Names:

972507
Punchdrunk Theatrical Experiences.
Subjects--Topical Terms:

972508
Greek drama (Tragedy)
--Adaptations

LC Class. No.: PN2599.5.T54

Dewey Class. No.: 792.0942

Punchdrunk on the classicsexperiencing immersion in the burnt city and beyond /
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245 1 0 $a Punchdrunk on the classics $h [electronic resource] : $b experiencing immersion in the burnt city and beyond / $c by Emma Cole.
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505 0 $a Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City's Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.
520 $a Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk's use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk's creative development windows, and the company's final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience's experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk's practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.
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