國立高雄大學圖資館 |

Retrospection and revision in modern and contemporary art, literature and music

Record Type:	Electronic resources : Monograph/item
Title/Author:	Retrospection and revision in modern and contemporary art, literature and musicedited by Mette Gieskes, Mathilde Roza.
other author:	Roza, Mathilde.
Published:	Cham :Springer International Publishing :2024.
Description:	xxiii, 378 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Art, ModernHistory and criticism.
Online resource:	https://doi.org/10.1007/978-3-031-39598-7
ISBN:	9783031395987$q(electronic bk.)

Retrospection and revision in modern and contemporary art, literature and music
Retrospection and revision in modern and contemporary art, literature and music[electronic resource] /edited by Mette Gieskes, Mathilde Roza. - Cham :Springer International Publishing :2024. - xxiii, 378 p. :ill. (some col.), digital ;24 cm.

Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer's Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile's Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich's Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist's Legacy. Chapter 8. Retrospective Anticipation: Georgia O'Keeffe's Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS's Return to Early Work -- Chapter 10. Confessin' the Blues: The Rolling Stones' Revisit of their Musical Roots -- Chapter 11. Artists' Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet's Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910)

"What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this "backward look," resisting standard reductive formations such as 'late style' in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity - and indeed, in one memorable case, beyond the grave." -Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams) Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.

ISBN: 9783031395987$q(electronic bk.)

Standard No.: 10.1007/978-3-031-39598-7doiSubjects--Topical Terms:

972592
Art, Modern
--History and criticism.

LC Class. No.: N6447

Dewey Class. No.: 700

Retrospection and revision in modern and contemporary art, literature and music
LDR:04818nmm a2200349 a 4500 001 661140
003 DE-He213
005 20240103160421.0
006 m d
007 cr nn 008maaau
008 241106s2024 sz s 0 eng d
020 $a 9783031395987$q(electronic bk.)
020 $a 9783031395970$q(paper)
024 7 $a 10.1007/978-3-031-39598-7 $2 doi
035 $a 978-3-031-39598-7
040 $a GP $c GP
041 0 $a eng
050 4 $a N6447
072 7 $a AP $2 bicssc
072 7 $a JFC $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $2 thema
072 7 $a JBCC $2 thema
082 0 4 $a 700 $2 23
090 $a N6447 $b .R438 2024
245 0 0 $a Retrospection and revision in modern and contemporary art, literature and music $h [electronic resource] / $c edited by Mette Gieskes, Mathilde Roza.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xxiii, 378 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer's Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile's Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich's Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist's Legacy. Chapter 8. Retrospective Anticipation: Georgia O'Keeffe's Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS's Return to Early Work -- Chapter 10. Confessin' the Blues: The Rolling Stones' Revisit of their Musical Roots -- Chapter 11. Artists' Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet's Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910)
520 $a "What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this "backward look," resisting standard reductive formations such as 'late style' in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity - and indeed, in one memorable case, beyond the grave." -Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams) Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
650 0 $a Art, Modern $x History and criticism. $3 972592
650 0 $a Literature, Modern $x History and criticism. $3 190061
650 0 $a Music $x History and criticism. $3 187754
650 0 $a Influence (Literary, artistic, etc.) $3 179041
650 1 4 $a Audio-Visual Culture. $3 766675
650 2 4 $a Art History. $3 212490
650 2 4 $a Contemporary Art. $3 937176
650 2 4 $a Theory of Arts. $3 922551
700 1 $a Roza, Mathilde. $3 972591
700 1 $a Gieskes, Mette. $3 972590
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-39598-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)