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The Bloomsbury handbook of music and art

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Bloomsbury handbook of music and artedited by Sarah Mahler Kraaz and Charlotte de Mille.
other author:	Kraaz, Sarah Mahler.
Published:	New York :Bloomsbury Academic,2024.
Description:	1 online resource (xix, 373 p.) :ill.
Subject:	Art and music.
Online resource:	https://doi.org/10.5040/9781501377747?locatt=label:secondary_bloomsburyCollections
ISBN:	9781501377747$q(online)

The Bloomsbury handbook of music and art
The Bloomsbury handbook of music and art[electronic resource] /edited by Sarah Mahler Kraaz and Charlotte de Mille. - 1st ed. - New York :Bloomsbury Academic,2024. - 1 online resource (xix, 373 p.) :ill. - Bloomsbury handbooks.

Includes bibliographical references and index.

Ways of perceiving.Charlotte de Mille and Sarah Mahler Kraaz --Introduction /

This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways ofperceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice/thinking communicate activist activities? How do socio-economic and environmentalproblems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in aglobal historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.

ISBN: 9781501377747$q(online)Subjects--Topical Terms:

223353
Art and music.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: ML3849 / .B63 2024

Dewey Class. No.: 780/.07

The Bloomsbury handbook of music and art
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245 0 4 $a The Bloomsbury handbook of music and art $h [electronic resource] / $c edited by Sarah Mahler Kraaz and Charlotte de Mille.
250 $a 1st ed.
260 $a New York : $b Bloomsbury Academic, $c 2024.
300 $a 1 online resource (xix, 373 p.) : $b ill.
490 0 $a Bloomsbury handbooks
504 $a Includes bibliographical references and index.
505 0 0 $g Introduction / $r Charlotte de Mille and Sarah Mahler Kraaz -- $g Section I. $t Ways of perceiving. $g Section introduction / $r Charlotte de Mille -- $g 1. $t Tasting God's wisdom: music and art in the early modern Lutheran church / $r Margit Thøfner -- $g 2. $t 'When silence speaks': Sibelius, music, landscape / $r Daniel M. Grimley -- $g 3. $t Patience between the arts (From a mountain of monumental waste) / $r Lydia Goehr and Daniel Herwitz -- $g Section II. $t Activism. $g Section introduction / $r Sarah Mahler Kraaz -- $g 4. $t Madame Campan's portraits or, Self-portrait of a feminist musicologist / $r Rebecca Dowd Geoffroy-Schwinden -- $g 5. $t Racist and ethnic stereotypes in the arts / $r Travis Nygard -- $g 6. $t Feminism / $r Ann-Marie Hanlon -- $g 7. $t Queerness in American music education: a panoptic view / $r Joshua Palkki -- $g Section III. $t Access. $g Section introduction / $r Charlotte de Mille -- $g 8. $t Whose museum?:applications in interdisciplinary thinking / $r Mark O'Neill -- $g 9. $t Access and engagement: classical music in the pandemic and beyond / $r Sarah Mahler Kraaz -- $g 10. $t Toward social sustainability: ethics and community engagement in heritage management / $r Annalisa Bolin and David Nkusi -- $g 11. $t Safeguarding theintangible: communities, cultures and ecomuseum practices / $r Peter David -- $t Ecotones and climate change in contemporary eco art / $r Mark A. Cheetham -- $g 13. $t Western art music and the aestheticization of climate change: the case of John Luther Adam's Become ocean / $r Tyler Kinnear -- $g Section IV. $t Intersecting cultures. $g Section introduction / $r Juliana M. Pistorius -- $g 14. $t Globalization: Voluspa Jarpa's Altered views and The Hegemonic Museum / $r Mark W. Rectanus -- $g 15. $t Cultural sound mapping in Bern: sound-based ethnomusicological research in the twenty-first century / $r Britta Sweers -- $g 16. $t Unconventionally confrontational: radicalized Asian affects, diasporic aesthetics and the revival of Cambodian (American) rock music / $r Runchao Liu -- $g 17. $t Anti-colonial activism and the Canadian Opera Company, 2017-2022 / $r Rena Roussin -- $g 18. $t Musical instruments and 'migration': a reinvestigation of the lutes in the Shosoin Collection / $r Ingrid M. Furniss -- $g Section V. $t Intersecting practice. $g Section introduction / $r Sarah Mahler Kraaz -- $g 19. $t Landscape/Music / $r James Weeks -- $g 20. $t Colour, music and synaesthesia / $r Deborah Pritchard -- $g 21. $t William Kentridge, Provisionality in process/ $r interview by Sarah Mahler Kraaz -- $g 22. $t Peter Sellars, St. Matthew passion, opera / $r interview by Sarah Mahler Kraaz -- $g 23. $t Hooligan Art Community in conversation with Dr Charlotte de Mille, The Courtauld Institute of Art, November 2022 / $r Charlotte de Mille -- $g 24. $t Curating Glyndebourne/ $r Nerissa Taysom -- $g 25. $t Curating music at the Courtauld / $r Charlotte de Mille -- $g Appendix: $t Digital projects in music and art / $r Michelle Urberg.
520 $a This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways ofperceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice/thinking communicate activist activities? How do socio-economic and environmentalproblems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in aglobal historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
650 0 $a Art and music. $3 223353
650 6 $a Art et musique. $3 973969
650 7 $a Art and music $2 fast $3 973970
655 4 $a Electronic books. $2 local. $3 214472
700 1 $a Kraaz, Sarah Mahler. $3 973967
700 1 $a De Mille, Charlotte. $3 973968
856 4 0 $u https://doi.org/10.5040/9781501377747?locatt=label:secondary_bloomsburyCollections