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Electric seeingpositions in contemporary video art /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Electric seeingCharlotte Klink.
其他題名:	positions in contemporary video art /
作者:	Klink, Charlotte.
出版者:	Bielefeld :transcript Verlag,c2022.
面頁冊數:	1 online resource (350 p.) :ill.
標題:	Video art.
電子資源:	https://www.degruyter.com/isbn/9783839457009
ISBN:	9783839457009$q(electronic bk.)

Electric seeingpositions in contemporary video art /
Klink, Charlotte.

Electric seeingpositions in contemporary video art /[electronic resource] :Charlotte Klink. - 1st ed. - Bielefeld :transcript Verlag,c2022. - 1 online resource (350 p.) :ill. - Image,1932365-1806 ;. - Image (Transcript (Firm)) ;v. 174..

Thesis (doctoral)--Staatliche Akademie der Bildenden Künste, Stuttgart, 2020.

Includes bibliographical references.

What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of <<Electric Seeing>> that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as <<video>>. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjorn Melhus.

Mode of access: Internet via World Wide Web.

In English.

ISBN: 9783839457009$q(electronic bk.)

Standard No.: 10.1515/9783839457009doiSubjects--Topical Terms:

223785
Video art.

LC Class. No.: N6494.V53 / K55 2022

Dewey Class. No.: 777

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300 $a 1 online resource (350 p.) : $b ill.
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502 $a Thesis (doctoral)--Staatliche Akademie der Bildenden Künste, Stuttgart, 2020.
504 $a Includes bibliographical references.
520 $a What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of <<Electric Seeing>> that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as <<video>>. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjorn Melhus.
538 $a Mode of access: Internet via World Wide Web.
546 $a In English.
588 $a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jan 2024)
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650 0 $a Art, Modern. $3 233017
830 0 $a Image (Transcript (Firm)) ; $v v. 174. $3 960068
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