國立高雄大學圖資館 |

Language: English

Back

Cuban fusionthe transnational Cuban alternative music scene /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cuban fusionby Eva Silot Bravo.
Reminder of title:	the transnational Cuban alternative music scene /
Author:	Bravo, Eva Silot.
Published:	Cham :Springer Nature Switzerland :2024.
Description:	xviii, 181 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Popular musicHistory and criticism.Cuba
Online resource:	https://doi.org/10.1007/978-3-031-53692-2
ISBN:	9783031536922$q(electronic bk.)

Cuban fusionthe transnational Cuban alternative music scene /
Bravo, Eva Silot.

Cuban fusionthe transnational Cuban alternative music scene /[electronic resource] :by Eva Silot Bravo. - Cham :Springer Nature Switzerland :2024. - xviii, 181 p. :ill. (some col.), digital ;24 cm.

Chapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad "in-between:" the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders.

"An invaluable study of Cuban music making in diaspora." -Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA "Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies." -Greg Landau, Ph.D., Producer, Educator & Music Historian, USA "Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate." -Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book's main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative "in-between" spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA) She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77)

ISBN: 9783031536922$q(electronic bk.)

Standard No.: 10.1007/978-3-031-53692-2doiSubjects--Topical Terms:

978063
Popular music
--History and criticism.--Cuba

LC Class. No.: ML3486.C82

Dewey Class. No.: 781.63097291

Cuban fusionthe transnational Cuban alternative music scene /
LDR:03100nmm a22003255a 4500 001 665276
003 DE-He213
005 20240412130925.0
006 m d
007 cr nn 008maaau
008 241219s2024 sz s 0 eng d
020 $a 9783031536922$q(electronic bk.)
020 $a 9783031536915$q(paper)
024 7 $a 10.1007/978-3-031-53692-2 $2 doi
035 $a 978-3-031-53692-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3486.C82
072 7 $a AVGN $2 bicssc
072 7 $a MUS029000 $2 bisacsh
072 7 $a AVLP $2 thema
082 0 4 $a 781.63097291 $2 23
090 $a ML3486.C82 $b B826 2024
100 1 $a Bravo, Eva Silot. $3 978062
245 1 0 $a Cuban fusion $h [electronic resource] : $b the transnational Cuban alternative music scene / $c by Eva Silot Bravo.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xviii, 181 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Chapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad "in-between:" the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders.
520 $a "An invaluable study of Cuban music making in diaspora." -Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA "Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies." -Greg Landau, Ph.D., Producer, Educator & Music Historian, USA "Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate." -Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book's main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative "in-between" spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA) She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77)
650 0 $a Popular music $z Cuba $x History and criticism. $3 978063
650 0 $a Popular music $x Cuban influences. $3 978064
650 1 4 $a Popular Music. $3 913291
650 2 4 $a Latin American Culture. $3 745000
650 2 4 $a Jazz. $3 978065
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-53692-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)