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Realism, myth, and the vernacular in Pasolini's film and philosophybeyond the middle-class matrix /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Realism, myth, and the vernacular in Pasolini's film and philosophyby Max Ryynänen.
其他題名:	beyond the middle-class matrix /
作者:	Ryynänen, Max.
出版者:	Cham :Springer Nature Switzerland :2024.
面頁冊數:	xv, 143 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Motion picturesHistory.
電子資源:	https://doi.org/10.1007/978-3-031-63467-3
ISBN:	9783031634673$q(electronic bk.)

Realism, myth, and the vernacular in Pasolini's film and philosophybeyond the middle-class matrix /
Ryynänen, Max.

Realism, myth, and the vernacular in Pasolini's film and philosophybeyond the middle-class matrix /[electronic resource] :by Max Ryynänen. - Cham :Springer Nature Switzerland :2024. - xv, 143 p. :ill., digital ;24 cm.

1: Introduction -- 2: Writing with Reality -- 3: Fable and Myth -- 4: The Vernacular and Deculturation -- 5: Conclusion.

Pier Paolo Pasolini's lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study. This book aims to bring forth a new understanding of Pasolini as someone who worked in various arts, and through appropriating one art with. Max Ryynänen shows Pasolini's importance for not just film and film theory, but more broadly visual studies, art research and even cultural philosophy - where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryynänen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation. Max Ryynänen is Senior Lecturer of Theory of Visual Culture at Aalto University, Finland.

ISBN: 9783031634673$q(electronic bk.)

Standard No.: 10.1007/978-3-031-63467-3doiSubjects--Personal Names:

980222
Pasolini, Pier Paolo,
1922-1975.Subjects--Topical Terms:

176200
Motion pictures
--History.

LC Class. No.: PN1993.5.I8

Dewey Class. No.: 791.430945

Realism, myth, and the vernacular in Pasolini's film and philosophybeyond the middle-class matrix /
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