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Performing the queer pastpublic possessions /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing the queer pastFintan Walsh.
其他題名:	public possessions /
作者:	Walsh, Fintan,
出版者:	London, UK ;Methuen Drama,2023.
面頁冊數:	1 online resource (xiii, 229 p.) :ill.
標題:	2000-2099
標題:	TheaterHistory21st century.
電子資源:	https://doi.org/10.5040/9781350297999?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350297999

Performing the queer pastpublic possessions /
Walsh, Fintan,1979-

Performing the queer pastpublic possessions /[electronic resource] :Fintan Walsh. - London, UK ;Methuen Drama,2023. - 1 online resource (xiii, 229 p.) :ill. - Methuen drama agitations: text, politics and performances. - Methuen drama agitations: text, politics and performances..

Includes bibliographical references and index.

Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Re-enacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.

"How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"--

ISBN: 9781350297999Subjects--Chronological Terms:

2000-2099
Subjects--Topical Terms:

645491
Theater
--History--21st century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2190 / .W35 2023eb

Dewey Class. No.: 792.09/05

Performing the queer pastpublic possessions /
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505 0 $a Introduction: Performing queer possession -- Channelling ghosts: the haunted present -- Muscle memories: exe(o)rcising history -- Re-enacting violence: sharing responsibility -- Arresting objects: transforming matters -- Wilde spirits: occupation and commemoration -- Grief's ricochet: intermedial returns -- Epilogue: Shorelines of the dispossessed.
520 $a "How do contemporary theatre and performance appear to be possessed by the queer past? This book explores how the queer past is invoked via strategies of channeling and haunting, working through and working out, recollection and replay, commodification and reproduction, occupation and commemoration, intermedial recontextualization and dissemination. It focuses on an eclectic range of case studies including Artangel, Dickie Beau, Jeremy O. Harris, Karen Finley, Milo Rau, Rachel Mars, Split Britches and Travis Alabanza, and practices that encompass digital theatre, experimental performance, installation, live art and site-specific interventions"-- $c Provided by publisher.
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