國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Remembering the occupation in French...

France

Remembering the occupation in French filmnational identity in postwar Europe /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Remembering the occupation in French filmLeah D. Hewitt.
其他題名:	national identity in postwar Europe /
作者:	Hewitt, Leah Dianne.
出版者:	New York :Palgrave Macmillan,2008.
面頁冊數:	viii, 254 p. :ill.
叢書名:	Studies in European culture and history
標題:	World War, 1939-1945Motion pictures and the war.
標題:	FranceIntellectual life19th century.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230612105

Remembering the occupation in French filmnational identity in postwar Europe /
Hewitt, Leah Dianne.

Remembering the occupation in French filmnational identity in postwar Europe /[electronic resource] :Leah D. Hewitt. - 1st ed. - New York :Palgrave Macmillan,2008. - viii, 254 p. :ill. - Studies in European culture and history.

Includes bibliographical references (p. [231]-242) and index.

Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230612105

Standard No.: 10.1057/9780230612105doiSubjects--Topical Terms:

325395
World War, 1939-1945
--Motion pictures and the war.Subjects--Geographical Terms:

388979
France
--Intellectual life--19th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: D743.23 / .H48 2008eb

Dewey Class. No.: 791.43/658

Remembering the occupation in French filmnational identity in postwar Europe /
LDR:02462cmm a2200325 a 4500 001 268694
003 OCoLC
005 20101102091328.0
006 m d
007 cr nn muauu
008 101122s2008 nyua sb 001 0 eng d
020 $a 9780230612105
020 $a 0230612105
024 7 $a 10.1057/9780230612105 $2 doi
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a e-fr---
049 $a APTA
050 1 4 $a D743.23 $b .H48 2008eb
082 0 4 $a 791.43/658 $2 22
100 1 $a Hewitt, Leah Dianne. $3 474843
245 1 0 $a Remembering the occupation in French film $h [electronic resource] : $b national identity in postwar Europe / $c Leah D. Hewitt.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2008.
300 $a viii, 254 p. : $b ill.
440 0 $a Studies in European culture and history
504 $a Includes bibliographical references (p. [231]-242) and index.
505 0 $a Film as memory: a battleground for shaping identity -- Transitions before the "sorrow": criticism and myth in the late 1950s and early 1960s -- Identity politics in films of the 1970s -- Occupational performances in Truffaut's The last metro -- Ambiguous national icons in Chabrol's Story of women -- Love stories, real/cinematic heroines, the postmoderns: the 1980s and beyond -- In lieu of aconclusion.
520 $a When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. Remembering the Occupation in FrenchFilm explores French identity as it is articulated through cultural representations of Occupied France in French film. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation. By focusing on the representation ofwomen as the symbol of a collective identity crisis, the author links France's traditional female icon, Marianne, to the multiple unresolved ambiguities that have continued to plague France b2 ss historical reckoning with the war.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a World War, 1939-1945 $x Motion pictures and the war. $3 325395
650 0 $a Motion pictures $z France $x History. $3 175948
650 0 $a National characteristics, French. $3 198880
651 0 $a France $x Intellectual life $x History $y 19th century. $3 388979
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 0230601308 $z 9780230601307 $w (DLC) 2007027284 $w (OCoLC)150256289
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230612105 $z access to fulltext (Palgrave)