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Transition cinemapolitical filmmakin...

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Transition cinemapolitical filmmaking andthe Argentine left since 1968 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Transition cinemaJessica Stites Mor.
Reminder of title:	political filmmaking andthe Argentine left since 1968 /
Author:	Stites Mor, Jessica.
Published:	Pittsburgh :University of Pittsburgh Press,2012.
Description:	1 online resource (304 p.).
Subject:	Politics in motion pictures.
Online resource:	Full text available:
ISBN:	9780822977971 (electronic bk.)

Transition cinemapolitical filmmaking andthe Argentine left since 1968 /
Stites Mor, Jessica.

Transition cinemapolitical filmmaking andthe Argentine left since 1968 /[electronic resource] :Jessica Stites Mor. - Pittsburgh :University of Pittsburgh Press,2012. - 1 online resource (304 p.). - Illuminations: cultural formations of the Americas.

Includes bibliographical references and index.

Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.

ISBN: 9780822977971 (electronic bk.)Subjects--Topical Terms:

351815
Politics in motion pictures.

LC Class. No.: PN1995.9.P6 / S75 2012

Dewey Class. No.: 791.430982

Transition cinemapolitical filmmaking andthe Argentine left since 1968 /
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300 $a 1 online resource (304 p.).
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504 $a Includes bibliographical references and index.
505 0 $a Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
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856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780822977971/