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The cosmos and the creative imagination

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The cosmos and the creative imagination

Record Type:	Electronic resources : Monograph/item
Title/Author:	The cosmos and the creative imaginationedited by Anna-Teresa Tymieniecka, Patricia Trutty-Coohill.
other author:	Tymieniecka, Anna-Teresa.
Published:	Cham :Springer International Publishing :2016.
Description:	vii, 379 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Cosmology.
Online resource:	http://dx.doi.org/10.1007/978-3-319-21792-5
ISBN:	9783319217925$q(electronic bk.)

The cosmos and the creative imagination
The cosmos and the creative imagination[electronic resource] /edited by Anna-Teresa Tymieniecka, Patricia Trutty-Coohill. - Cham :Springer International Publishing :2016. - vii, 379 p. :ill., digital ;24 cm. - Analecta husserliana ;v.CXIX. - Analecta husserliana ;v.118..

The essays in this book respond to Anna-Teresa Tymieniecka's recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) of the logos - of the whole and of the particulars - while the design(s) rest not on some human concept, but on life itself. Life's pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.

ISBN: 9783319217925$q(electronic bk.)

Standard No.: 10.1007/978-3-319-21792-5doiSubjects--Topical Terms:

228629
Cosmology.

LC Class. No.: QB981 / .C676 2016

Dewey Class. No.: 523.1

The cosmos and the creative imagination
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520 $a The essays in this book respond to Anna-Teresa Tymieniecka's recent call to explore the relationship between the evolution of the universe and the process of self-individuation in the ontopoietic unfolding of life. The essays approach the sensory manifold in a number of ways. They show that theories of modern science become a strategy for the phenomenological study of works of art, and vice versa. Works of phenomenology and of the arts examine how individual spontaneity connects with the design(s) of the logos - of the whole and of the particulars - while the design(s) rest not on some human concept, but on life itself. Life's pliable matrices allow us to consider the expansiveness of contemporary science, and to help create a contemporary phenomenological sense of cosmos.
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