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Paradoxical japanesenesscultural rep...

Dorman, Andrew.

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Paradoxical japanesenessby Andrew Dorman.
Reminder of title:	cultural representation in twenty-first century japanese cinema /
Author:	Dorman, Andrew.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xiii, 224 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesHistory21st century.Japan
Subject:	JapanCongresses.Economic policy1989-
Online resource:	http://dx.doi.org/10.1057/978-1-137-55160-3
ISBN:	9781137551603$q(electronic bk.)

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /
Dorman, Andrew.

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /[electronic resource] :by Andrew Dorman. - London :Palgrave Macmillan UK :2016. - xiii, 224 p. :ill., digital ;24 cm.

Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

ISBN: 9781137551603$q(electronic bk.)

Standard No.: 10.1057/978-1-137-55160-3doiSubjects--Topical Terms:

763067
Motion pictures
--History--Japan--21st century.Subjects--Geographical Terms:

381143
Japan
--Economic policy--1989- --Congresses.

LC Class. No.: PN1993.5.J3 / D67 2016

Dewey Class. No.: 791.430952

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /
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505 0 $a Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
520 $a This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
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