Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Music in Germany since 1968
~
Williams, Alastair.
Music in Germany since 1968
Record Type:
Electronic resources : Monograph/item
Title/Author:
Music in Germany since 1968by Alastair Williams.
Author:
Williams, Alastair.
Published:
Cambridge :Cambridge University Press,2013.
Description:
xi, 280 p. :ill., music, digital ;26 cm.
Subject:
MusicHistory and criticism.20th centuryGermany
Online resource:
https://doi.org/10.1017/CBO9781139034081
ISBN:
9781139034081$q(electronic bk.)
Music in Germany since 1968
Williams, Alastair.
Music in Germany since 1968
[electronic resource] /by Alastair Williams. - Cambridge :Cambridge University Press,2013. - xi, 280 p. :ill., music, digital ;26 cm. - Music since 1900. - Music since 1900..
Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.
Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
ISBN: 9781139034081$q(electronic bk.)Subjects--Topical Terms:
298279
Music
--History and criticism.--Germany--20th century
LC Class. No.: ML275.5 / .W55 2013
Dewey Class. No.: 780.94309045
Music in Germany since 1968
LDR
:01963nmm a2200265 a 4500
001
504214
003
UkCbUP
005
20170906094447.0
006
m d
007
cr nn 008maaau
008
171013s2013 enk s 0 eng d
020
$a
9781139034081$q(electronic bk.)
020
$a
9780521877596$q(hardback)
035
$a
CR9781139034081
040
$a
UkCbUP
$b
eng
$c
UkCbUP
$d
GP
041
0
$a
eng
050
0 0
$a
ML275.5
$b
.W55 2013
082
0 0
$a
780.94309045
$2
23
090
$a
ML275.5
$b
.W721 2013
100
1
$a
Williams, Alastair.
$3
769074
245
1 0
$a
Music in Germany since 1968
$h
[electronic resource] /
$c
by Alastair Williams.
260
$a
Cambridge :
$b
Cambridge University Press,
$c
2013.
300
$a
xi, 280 p. :
$b
ill., music, digital ;
$c
26 cm.
490
1
$a
Music since 1900
505
0
$a
Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.
520
$a
Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
650
0
$a
Music
$z
Germany
$y
20th century
$x
History and criticism.
$3
298279
830
0
$a
Music since 1900.
$3
769075
856
4 0
$u
https://doi.org/10.1017/CBO9781139034081
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000135448
電子館藏
1圖書
電子書
EB ML275.5 W721 2013
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1017/CBO9781139034081
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login