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Shakespeare, Bakhtin, and filma dial...

Bakhtin, M. M. (1895-1975)

Shakespeare, Bakhtin, and filma dialogic lens /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare, Bakhtin, and filmby Keith Harrison.
Reminder of title:	a dialogic lens /
Author:	Harrison, Keith.
Published:	Cham :Springer International Publishing :2017.
Description:	ix, 262 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Motion picturesPhilosophy.
Online resource:	http://dx.doi.org/10.1007/978-3-319-59743-0
ISBN:	9783319597430$q(electronic bk.)

Shakespeare, Bakhtin, and filma dialogic lens /
Harrison, Keith.

Shakespeare, Bakhtin, and filma dialogic lens /[electronic resource] :by Keith Harrison. - Cham :Springer International Publishing :2017. - ix, 262 p. :ill., digital ;24 cm.

1. William Shakespeare and Mikhail Bakhtin: Filming Dialogically -- 2. Chronotopes and Categories of Shakespeare-inflected Films -- 3. Chronotopic Images and Cinematic Dialogism with Shakespeare -- 4. Kurosawa, Kozintsev, Kaurismaki, and Almereyda: Hamlet and Transnational Dialogism -- 5. Withnail and I: The Ghost of Shakespeare -- 6. Bakhtinian Polyphony in Godard's King Lear -- 7. Shakespeare Shaping in Dogme95 Films, and Bakhtin's Theory of Tragedy -- 8. Scotland, PA: Parody, Nostalgia, Irony, and Menippean Satire -- 9. Romeo and Juliet, Polyglossia, and the Romantic Politics of Deepa Mehta's Water -- 10. Unfinalizability and Cinematic Shakespeare.

This book explores how Bakhtin's ideas can illuminate the compelling but uneasy fusion of Shakespeare and cinema. With a wide variety of tones, languages, cultural orientations, and thematic concerns, film directors have updated, translated, transposed, fragmented, parodied, and geographically re-situated Shakespeare. Keith Harrison illustrates how Bakhtin's interlinked writings in various fields can fruitfully be applied to an understanding of how the ongoing responsiveness of filmmakers to Shakespeare's historically remote words can shape self-expressive acts of co-authoring in another medium. Through the use of such Bakhtinian concepts as the chronotope, heteroglossia, the carnivalesque, and polyphony, Harrison details how filmmakers--faithful to their specific cultures, genders, geographies, and historical moments--dialogically locate their particularity through Shakespeare's presence.

ISBN: 9783319597430$q(electronic bk.)

Standard No.: 10.1007/978-3-319-59743-0doiSubjects--Personal Names:

445829
Bakhtin, M. M.
1895-1975--Criticism and interpretation.Subjects--Topical Terms:

181377
Motion pictures
--Philosophy.

LC Class. No.: PN1995.9.P42 / H37 2017

Dewey Class. No.: 791.4301

Shakespeare, Bakhtin, and filma dialogic lens /
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505 0 $a 1. William Shakespeare and Mikhail Bakhtin: Filming Dialogically -- 2. Chronotopes and Categories of Shakespeare-inflected Films -- 3. Chronotopic Images and Cinematic Dialogism with Shakespeare -- 4. Kurosawa, Kozintsev, Kaurismaki, and Almereyda: Hamlet and Transnational Dialogism -- 5. Withnail and I: The Ghost of Shakespeare -- 6. Bakhtinian Polyphony in Godard's King Lear -- 7. Shakespeare Shaping in Dogme95 Films, and Bakhtin's Theory of Tragedy -- 8. Scotland, PA: Parody, Nostalgia, Irony, and Menippean Satire -- 9. Romeo and Juliet, Polyglossia, and the Romantic Politics of Deepa Mehta's Water -- 10. Unfinalizability and Cinematic Shakespeare.
520 $a This book explores how Bakhtin's ideas can illuminate the compelling but uneasy fusion of Shakespeare and cinema. With a wide variety of tones, languages, cultural orientations, and thematic concerns, film directors have updated, translated, transposed, fragmented, parodied, and geographically re-situated Shakespeare. Keith Harrison illustrates how Bakhtin's interlinked writings in various fields can fruitfully be applied to an understanding of how the ongoing responsiveness of filmmakers to Shakespeare's historically remote words can shape self-expressive acts of co-authoring in another medium. Through the use of such Bakhtinian concepts as the chronotope, heteroglossia, the carnivalesque, and polyphony, Harrison details how filmmakers--faithful to their specific cultures, genders, geographies, and historical moments--dialogically locate their particularity through Shakespeare's presence.
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