國立高雄大學圖資館 |

Language: English

Back

Comedies of nihilismthe representati...

Khan, Amir.

Comedies of nihilismthe representation of tragedy onscreen /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Comedies of nihilismby Amir Khan.
Reminder of title:	the representation of tragedy onscreen /
Author:	Khan, Amir.
Published:	Cham :Springer International Publishing :2017.
Description:	xi, 183 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Comedy filmsHistory and criticism.
Online resource:	http://dx.doi.org/10.1007/978-3-319-59894-9
ISBN:	9783319598949$q(electronic bk.)

Comedies of nihilismthe representation of tragedy onscreen /
Khan, Amir.

Comedies of nihilismthe representation of tragedy onscreen /[electronic resource] :by Amir Khan. - Cham :Springer International Publishing :2017. - xi, 183 p. :ill., digital ;22 cm.

1. Introduction -- 2. Farming out Resentment: Up in the Air -- 3. All War and No Agency: Tropic Thunder -- 4. Tragic Cinema: The Death of Subjectivities in JCVD -- 5. Hiding from Significance: Winnebago Man -- 6. A Claim to Community: The Trotsky -- 7. A Plea for Time in a State of Nature: Be Kind Rewind -- 8. Losing the Name of Action: Hamlet 2 -- 9. Conclusion.

Amir Khan's eloquent voice and discerning mind take his reader on an exhilarating and provocative journey through seven post-9/11 films. Following the sage guidance of Stanley Cavell, Khan invites us to engage in clear-eyed and instructive discussions about film and moral reasoning, which thoughtful moviegoers will gratefully enjoy. Khan's book will generously reward contemporary American efforts to accurately descry the True North, and it will provide fresh insight into American self-understanding as Canada's imperial movie-making neighbor to the south.' - Lawrence F. Rhu, Professor Emeritus of English Language and Literature at the University of South Carolina, USA This book presents close-readings of seven post-millennial comedic films: Up in the Air, Tropic Thunder, JCVD, Winnebago Man, The Trotsky, Be Kind Rewind, and Hamlet 2. It is a sequel to Stanley Cavell's 1981 landmark study of the comedic genre, Pursuits of Happiness, where he examines seven comedies of Hollywood's "Golden Age." Khan puts forward the idea that comedies, once centred on the conventional "happy ending," are no longer interested in detailing the steps to any ending we might call happy. Instead, the agenda of most culturally serious comedies today is to "spoof," to make all that is fair foul. The seven films presented here risk a type of cultural nihilism--spoofing for the sake of spoofing and nothing else, indicative not of film's promise but it's failure. By equating the failure of film with the failed national politics of Canada (or the failed politics of nationalism and community more generally), this study shows that comedy has less to do with happiness, and more to do with the grotesque. The films analysed represent hyper-realized forms of comic irony and move towards what theatre knows as tragedy, or a tragic vision. Amir Khan is Assistant Professor of English at Liaoning Normal University-Missouri State University's College of International Business in Dalian, China. He is managing editor of Conversations: The Journal of Cavellian Studies and author of Shakespeare in Hindsight (2016)

ISBN: 9783319598949$q(electronic bk.)

Standard No.: 10.1007/978-3-319-59894-9doiSubjects--Topical Terms:

797442
Comedy films
--History and criticism.

LC Class. No.: PN1995.9.C55 / K43 2017

Dewey Class. No.: 791.43617

Comedies of nihilismthe representation of tragedy onscreen /
LDR:03461nmm a2200313 a 4500 001 525231
003 DE-He213
005 20180522140526.0
006 m d
007 cr nn 008maaau
008 180904s2017 gw s 0 eng d
020 $a 9783319598949$q(electronic bk.)
020 $a 9783319598932$q(paper)
024 7 $a 10.1007/978-3-319-59894-9 $2 doi
035 $a 978-3-319-59894-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.C55 $b K43 2017
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.43617 $2 23
090 $a PN1995.9.C55 $b K45 2017
100 1 $a Khan, Amir. $3 719395
245 1 0 $a Comedies of nihilism $h [electronic resource] : $b the representation of tragedy onscreen / $c by Amir Khan.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xi, 183 p. : $b ill., digital ; $c 22 cm.
505 0 $a 1. Introduction -- 2. Farming out Resentment: Up in the Air -- 3. All War and No Agency: Tropic Thunder -- 4. Tragic Cinema: The Death of Subjectivities in JCVD -- 5. Hiding from Significance: Winnebago Man -- 6. A Claim to Community: The Trotsky -- 7. A Plea for Time in a State of Nature: Be Kind Rewind -- 8. Losing the Name of Action: Hamlet 2 -- 9. Conclusion.
520 $a Amir Khan's eloquent voice and discerning mind take his reader on an exhilarating and provocative journey through seven post-9/11 films. Following the sage guidance of Stanley Cavell, Khan invites us to engage in clear-eyed and instructive discussions about film and moral reasoning, which thoughtful moviegoers will gratefully enjoy. Khan's book will generously reward contemporary American efforts to accurately descry the True North, and it will provide fresh insight into American self-understanding as Canada's imperial movie-making neighbor to the south.' - Lawrence F. Rhu, Professor Emeritus of English Language and Literature at the University of South Carolina, USA This book presents close-readings of seven post-millennial comedic films: Up in the Air, Tropic Thunder, JCVD, Winnebago Man, The Trotsky, Be Kind Rewind, and Hamlet 2. It is a sequel to Stanley Cavell's 1981 landmark study of the comedic genre, Pursuits of Happiness, where he examines seven comedies of Hollywood's "Golden Age." Khan puts forward the idea that comedies, once centred on the conventional "happy ending," are no longer interested in detailing the steps to any ending we might call happy. Instead, the agenda of most culturally serious comedies today is to "spoof," to make all that is fair foul. The seven films presented here risk a type of cultural nihilism--spoofing for the sake of spoofing and nothing else, indicative not of film's promise but it's failure. By equating the failure of film with the failed national politics of Canada (or the failed politics of nationalism and community more generally), this study shows that comedy has less to do with happiness, and more to do with the grotesque. The films analysed represent hyper-realized forms of comic irony and move towards what theatre knows as tragedy, or a tragic vision. Amir Khan is Assistant Professor of English at Liaoning Normal University-Missouri State University's College of International Business in Dalian, China. He is managing editor of Conversations: The Journal of Cavellian Studies and author of Shakespeare in Hindsight (2016)
650 0 $a Comedy films $x History and criticism. $3 797442
650 0 $a Tragic, The. $3 181400
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Film Theory. $3 745014
650 2 4 $a Genre. $3 745009
650 2 4 $a Close Reading. $3 787656
650 2 4 $a American Cinema. $3 750218
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-59894-9
950 $a Literature, Cultural and Media Studies (Springer-41173)