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Terrence Malick's unseeing cinemamem...
~
Batcho, James.
Terrence Malick's unseeing cinemamemory, time and audibility /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Terrence Malick's unseeing cinemaby James Batcho.
Reminder of title:
memory, time and audibility /
Author:
Batcho, James.
Published:
Cham :Springer International Publishing :2018.
Description:
xv, 201 p. :ill., digital ;23 cm.
Contained By:
Springer eBooks
Subject:
Motion picture producers and directorsUnited States.
Online resource:
http://dx.doi.org/10.1007/978-3-319-76421-4
ISBN:
9783319764214$q(electronic bk.)
Terrence Malick's unseeing cinemamemory, time and audibility /
Batcho, James.
Terrence Malick's unseeing cinema
memory, time and audibility /[electronic resource] :by James Batcho. - Cham :Springer International Publishing :2018. - xv, 201 p. :ill., digital ;23 cm.
1. Introduction -- 2. Unseeing -- 3. 'Logos' of Cinema -- 4. Days of Heaven and Hell -- 5. Malick's Temporal Shift -- 6. Listening to the 'Logos' -- 7. Continuer.
This unique study opens up a new dimension of Terrence Malick's cinema - its expressions of unseeing and hearing. 'Unseeing' is Malick's means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, Terrence Malick's Unseeing Cinema moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Soren Kierkegaard. It investigates how Malick's gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love.
ISBN: 9783319764214$q(electronic bk.)
Standard No.: 10.1007/978-3-319-76421-4doiSubjects--Personal Names:
816249
Malick, Terrence,
1943---Criticism and interpretation.Subjects--Topical Terms:
300014
Motion picture producers and directors
--United States.
LC Class. No.: PN1998.3.M3388 / B38 2018
Dewey Class. No.: 791.430233092
Terrence Malick's unseeing cinemamemory, time and audibility /
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1. Introduction -- 2. Unseeing -- 3. 'Logos' of Cinema -- 4. Days of Heaven and Hell -- 5. Malick's Temporal Shift -- 6. Listening to the 'Logos' -- 7. Continuer.
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This unique study opens up a new dimension of Terrence Malick's cinema - its expressions of unseeing and hearing. 'Unseeing' is Malick's means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, Terrence Malick's Unseeing Cinema moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Soren Kierkegaard. It investigates how Malick's gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love.
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Literature, Cultural and Media Studies (Springer-41173)
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EB PN1998.3.M3388 B328 2018
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http://dx.doi.org/10.1007/978-3-319-76421-4
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