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Jack the Ripper in film and culturet...

Jack, (the Ripper)

Jack the Ripper in film and culturetop hat, Gladstone bag and fog /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Jack the Ripper in film and cultureby Clare Smith.
Reminder of title:	top hat, Gladstone bag and fog /
Author:	Smith, Clare.
Published:	London :Palgrave Macmillan UK :2016.
Description:	x, 211 p. :digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Serial murderers in motion pictures.
Subject:	Whitechapel (London, England)In motion pictures.
Online resource:	https://doi.org/10.1057/978-1-137-59999-5
ISBN:	9781137599995$q(electronic bk.)

Jack the Ripper in film and culturetop hat, Gladstone bag and fog /
Smith, Clare.

Jack the Ripper in film and culturetop hat, Gladstone bag and fog /[electronic resource] :by Clare Smith. - London :Palgrave Macmillan UK :2016. - x, 211 p. :digital ;22 cm. - Crime files. - Crime files..

Introduction -- Chapter 1. Historical and Cultural Context -- Chapter 2. Psychoanalytical Approach -- Chapter 3. Feminist Film Theory -- Chapter 4 Jack the Ripper -- Chapter 5. The Detective -- Chapter 6. The Victims -- Chapter 7. Whitechapel -- Conclusion -- Bibliography -- Filmography.

In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen.

ISBN: 9781137599995$q(electronic bk.)

Standard No.: 10.1057/978-1-137-59999-5doiSubjects--Personal Names:

828570
Jack,
the Ripper--In motion pictures.Subjects--Topical Terms:

828572
Serial murderers in motion pictures.
Subjects--Geographical Terms:

828571
Whitechapel (London, England)
--In motion pictures.

LC Class. No.: PN1995.9.J23 / S65 2016

Dewey Class. No.: 791.43655

Jack the Ripper in film and culturetop hat, Gladstone bag and fog /
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245 1 0 $a Jack the Ripper in film and culture $h [electronic resource] : $b top hat, Gladstone bag and fog / $c by Clare Smith.
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505 0 $a Introduction -- Chapter 1. Historical and Cultural Context -- Chapter 2. Psychoanalytical Approach -- Chapter 3. Feminist Film Theory -- Chapter 4 Jack the Ripper -- Chapter 5. The Detective -- Chapter 6. The Victims -- Chapter 7. Whitechapel -- Conclusion -- Bibliography -- Filmography.
520 $a In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen.
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