國立高雄大學圖資館 |

Language: English

Back

Philosophy in Stan Brakhage's Dog st...

Baracco, Alberto.

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Philosophy in Stan Brakhage's Dog star manby Alberto Baracco.
Reminder of title:	world, metaphor, interpretation /
Author:	Baracco, Alberto.
Published:	Cham :Springer International Publishing :2019.
Description:	xviii, 144 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Experimental filmsHistory and criticism.
Online resource:	https://doi.org/10.1007/978-3-030-12426-7
ISBN:	9783030124267$q(electronic bk.)

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /
Baracco, Alberto.

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /[electronic resource] :by Alberto Baracco. - Cham :Springer International Publishing :2019. - xviii, 144 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

ISBN: 9783030124267$q(electronic bk.)

Standard No.: 10.1007/978-3-030-12426-7doiSubjects--Personal Names:

835589
Brakhage, Stan.
Dog star man.Subjects--Topical Terms:

222056
Experimental films
--History and criticism.

LC Class. No.: PN1995.9.E96 / B37 2019

Dewey Class. No.: 791.436

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /
LDR:01961nmm a2200325 a 4500 001 553993
003 DE-He213
005 20190301163922.0
006 m d
007 cr nn 008maaau
008 191112s2019 gw s 0 eng d
020 $a 9783030124267$q(electronic bk.)
020 $a 9783030124250$q(paper)
024 7 $a 10.1007/978-3-030-12426-7 $2 doi
035 $a 978-3-030-12426-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.E96 $b B37 2019
072 7 $a HPCF3 $2 bicssc
072 7 $a PHI018000 $2 bisacsh
072 7 $a QDHR5 $2 thema
082 0 4 $a 791.436 $2 23
090 $a PN1995.9.E96 $b B223 2019
100 1 $a Baracco, Alberto. $3 795138
245 1 0 $a Philosophy in Stan Brakhage's Dog star man $h [electronic resource] : $b world, metaphor, interpretation / $c by Alberto Baracco.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2019.
300 $a xviii, 144 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.
520 $a This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
600 1 0 $a Brakhage, Stan. $t Dog star man. $3 835589
650 0 $a Experimental films $x History and criticism. $3 222056
650 0 $a Philosophy in motion pictures. $3 251758
650 1 4 $a Phenomenology. $3 268097
650 2 4 $a Film Theory. $3 745014
650 2 4 $a Hermeneutics. $3 178752
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-12426-7
950 $a Religion and Philosophy (Springer-41175)