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Women, performance and the material ...
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Engel, Laura.
Women, performance and the material of memorythe archival tourist, 1780-1915 /
Record Type:
Electronic resources : Monographic component part
Title/Author:
Women, performance and the material of memoryby Laura Engel.
Reminder of title:
the archival tourist, 1780-1915 /
Author:
Engel, Laura.
Published:
London :Palgrave Macmillan UK :2019.
Description:
xvi, 169 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
Subject:
Women artistsBiography
Online resource:
https://doi.org/10.1057/978-1-137-58932-3
ISBN:
9781137589323$q(electronic bk.)
Women, performance and the material of memorythe archival tourist, 1780-1915 /
Engel, Laura.
Women, performance and the material of memory
the archival tourist, 1780-1915 /[electronic resource] :by Laura Engel. - London :Palgrave Macmillan UK :2019. - xvi, 169 p. :ill., digital ;22 cm.
1. Introduction: The Archival Tourist -- 2. Elizabeth Inchbald's Pocket Diaries -- 3. Sir Thomas Lawrence's Portraits of the Siddons Sisters -- 4. The Countess of Blessington and Magic Lanterns -- 5. Women Artists, Silhouettes, and Waxworks -- 6. Amelia M. Watson's Photographs -- 7. Epilogue: The Sisi Experience.
This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
ISBN: 9781137589323$q(electronic bk.)
Standard No.: 10.1057/978-1-137-58932-3doiSubjects--Topical Terms:
434869
Women artists
--Biography
LC Class. No.: NX164.W65 / E54 2019
Dewey Class. No.: 700.4522
Women, performance and the material of memorythe archival tourist, 1780-1915 /
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1. Introduction: The Archival Tourist -- 2. Elizabeth Inchbald's Pocket Diaries -- 3. Sir Thomas Lawrence's Portraits of the Siddons Sisters -- 4. The Countess of Blessington and Magic Lanterns -- 5. Women Artists, Silhouettes, and Waxworks -- 6. Amelia M. Watson's Photographs -- 7. Epilogue: The Sisi Experience.
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This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
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Literature, Cultural and Media Studies (Springer-41173)
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EB NX164.W65 E57 2019 2019
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https://doi.org/10.1057/978-1-137-58932-3
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