國立高雄大學圖資館 |

Language: English

Back

Politics of practicea rhetoric of pe...

Hunter, Lynette.

Politics of practicea rhetoric of performativity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Politics of practiceby Lynette Hunter.
Reminder of title:	a rhetoric of performativity /
Author:	Hunter, Lynette.
Published:	Cham :Springer International Publishing :2019.
Description:	xiii, 278 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
Subject:	Performance art.
Online resource:	https://doi.org/10.1007/978-3-030-14019-9
ISBN:	9783030140199$q(electronic bk.)

Politics of practicea rhetoric of performativity /
Hunter, Lynette.

Politics of practicea rhetoric of performativity /[electronic resource] :by Lynette Hunter. - Cham :Springer International Publishing :2019. - xiii, 278 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..

1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.

This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.

ISBN: 9783030140199$q(electronic bk.)

Standard No.: 10.1007/978-3-030-14019-9doiSubjects--Topical Terms:

223857
Performance art.

LC Class. No.: NX456.5.P38 / H868 2019

Dewey Class. No.: 701.03

Politics of practicea rhetoric of performativity /
LDR:02373nmm a2200337 a 4500 001 568119
003 DE-He213
005 20200130111315.0
006 m d
007 cr nn 008maaau
008 200611s2019 sz s 0 eng d
020 $a 9783030140199$q(electronic bk.)
020 $a 9783030140182$q(paper)
024 7 $a 10.1007/978-3-030-14019-9 $2 doi
035 $a 978-3-030-14019-9
040 $a GP $c GP
041 0 $a eng
050 4 $a NX456.5.P38 $b H868 2019
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 701.03 $2 23
090 $a NX456.5.P38 $b H945 2019
100 1 $a Hunter, Lynette. $3 463040
245 1 0 $a Politics of practice $h [electronic resource] : $b a rhetoric of performativity / $c by Lynette Hunter.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xiii, 278 p. : $b ill., digital ; $c 24 cm.
490 1 $a Performance philosophy
505 0 $a 1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.
520 $a This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
650 0 $a Performance art. $3 223857
650 0 $a Performance art $x Political aspects. $3 853830
650 1 4 $a Contemporary Theatre. $3 774209
650 2 4 $a Performing Arts. $3 284098
650 2 4 $a Performers and Practitioners. $3 794843
650 2 4 $a Aesthetics. $3 178371
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Performance philosophy. $3 760243
856 4 0 $u https://doi.org/10.1007/978-3-030-14019-9
950 $a Literature, Cultural and Media Studies (Springer-41173)