Language:
English
繁體中文
Help
圖資館首頁
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
British film musicmusical traditions...
~
Mazey, Paul.
British film musicmusical traditions in British Cinema, 1930s-1950s /
Record Type:
Electronic resources : Monograph/item
Title/Author:
British film musicby Paul Mazey.
Reminder of title:
musical traditions in British Cinema, 1930s-1950s /
Author:
Mazey, Paul.
Published:
Cham :Springer International Publishing :2020.
Description:
xii, 213 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Motion picture musicHistory and criticism.Great Britain
Online resource:
https://doi.org/10.1007/978-3-030-33550-2
ISBN:
9783030335502$q(electronic bk.)
British film musicmusical traditions in British Cinema, 1930s-1950s /
Mazey, Paul.
British film music
musical traditions in British Cinema, 1930s-1950s /[electronic resource] :by Paul Mazey. - Cham :Springer International Publishing :2020. - xii, 213 p. :ill., digital ;24 cm. - Palgrave studies in audio-visual culture,2634-6354. - Palgrave studies in audio-visual culture..
Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion.
This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.
ISBN: 9783030335502$q(electronic bk.)
Standard No.: 10.1007/978-3-030-33550-2doiSubjects--Topical Terms:
884577
Motion picture music
--History and criticism.--Great Britain
LC Class. No.: ML2075 / .M39 2020
Dewey Class. No.: 781.5420941
British film musicmusical traditions in British Cinema, 1930s-1950s /
LDR
:02107nmm a2200349 a 4500
001
593265
003
DE-He213
005
20200930211628.0
006
m d
007
cr nn 008maaau
008
210727s2020 sz s 0 eng d
020
$a
9783030335502$q(electronic bk.)
020
$a
9783030335496$q(paper)
024
7
$a
10.1007/978-3-030-33550-2
$2
doi
035
$a
978-3-030-33550-2
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
ML2075
$b
.M39 2020
072
7
$a
AP
$2
bicssc
072
7
$a
PER004000
$2
bisacsh
072
7
$a
AT
$2
thema
072
7
$a
JBCC
$2
thema
082
0 4
$a
781.5420941
$2
23
090
$a
ML2075
$b
.M476 2020
100
1
$a
Mazey, Paul.
$3
884576
245
1 0
$a
British film music
$h
[electronic resource] :
$b
musical traditions in British Cinema, 1930s-1950s /
$c
by Paul Mazey.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2020.
300
$a
xii, 213 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Palgrave studies in audio-visual culture,
$x
2634-6354
505
0
$a
Introduction -- 1. The Aesthetic Conventions of British Film Music -- 2. Pastoral Music -- 3. Folk Song -- 4. Choral Music -- 5. March Music -- Conclusion.
520
$a
This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.
650
0
$a
Motion picture music
$z
Great Britain
$x
History and criticism.
$3
884577
650
1 4
$a
Audio-Visual Culture.
$3
766675
650
2 4
$a
Music.
$3
227185
650
2 4
$a
British Cinema and TV.
$3
838001
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer Nature eBook
830
0
$a
Palgrave studies in audio-visual culture.
$3
763058
856
4 0
$u
https://doi.org/10.1007/978-3-030-33550-2
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000193255
電子館藏
1圖書
電子書
EB ML2075 .M476 2020 2020
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1007/978-3-030-33550-2
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login