國立高雄大學圖資館 |

Language: English

Back

Beyond the happeningperformance art ...

Spencer, Catherine,

Beyond the happeningperformance art and the politics of communication /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Beyond the happeningCatherine Spencer.
Reminder of title:	performance art and the politics of communication /
remainder title:	Performance art and the politics of communication
Author:	Spencer, Catherine,
Description:	1 online resource (295 p.)
Subject:	Happenings (Art)
Online resource:	https://portal.igpublish.com/iglibrary/search/MUPB0001234.html
ISBN:	9781526144454

Beyond the happeningperformance art and the politics of communication /
Spencer, Catherine,

Beyond the happeningperformance art and the politics of communication /[electronic resource] :Performance art and the politics of communicationCatherine Spencer. - 1 online resource (295 p.) - Rethinking art's histories. - Rethinking art's histories..

Includes bibliographical references and index.

Access restricted to authorized users and institutions.

Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. Although by the mid-1960s Happenings were widely declared outmoded or even 'dead', this book shows how multiple practitioners continued to work with the form during the late 1960s and 1970s, pushing it into complex studies of interpersonal communication that drew on, but also contested, contemporary sociology and psychology. Focusing on Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening. The resulting performances directly contributed to the wider discourse of communication studies, as it intersected with the politics of countercultural dropout, alternative pedagogies, soft diplomacy, cybernetics, antipsychiatry, sociological art and feminist consciousness raising. The network of activity generated through these interactions was inherently international, as artists sought to analyse the power dynamics involved in creating collaborative works in an increasingly globalised world. Beyond the Happening will be of interest to art historians engaged with performance practice after 1960, particularly in the USA, Europe and Latin America, and with the cross-fertilisation uniting Happenings, media art, body art, feminist art, conceptualism, photography film and video.

Mode of access: World Wide Web.

ISBN: 9781526144454Subjects--Topical Terms:

899196
Happenings (Art)
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN3203

Dewey Class. No.: 792.022

Beyond the happeningperformance art and the politics of communication /
LDR:02523nmm a2200301 i 4500 001 603160
006 m eo d
007 cr cn |||m|||a
008 211117t20202020miu ob 001 0 eng d
020 $a 9781526144454
020 $a 9781526144461
035 $a MUPB0001234
040 $a iG Publishing $b eng $c iG Publishing $e rda
050 0 0 $a PN3203
082 0 0 $a 792.022
100 1 $a Spencer, Catherine, $e author. $3 899195
245 1 0 $a Beyond the happening $h [electronic resource] : $b performance art and the politics of communication / $c Catherine Spencer.
246 3 0 $a Performance art and the politics of communication
264 1 $a Manchester : $b Manchester University Press, $c 2020.
264 4 $c ©2020
300 $a 1 online resource (295 p.)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Rethinking art's histories
504 $a Includes bibliographical references and index.
506 $a Access restricted to authorized users and institutions.
520 3 $a Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. Although by the mid-1960s Happenings were widely declared outmoded or even 'dead', this book shows how multiple practitioners continued to work with the form during the late 1960s and 1970s, pushing it into complex studies of interpersonal communication that drew on, but also contested, contemporary sociology and psychology. Focusing on Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening. The resulting performances directly contributed to the wider discourse of communication studies, as it intersected with the politics of countercultural dropout, alternative pedagogies, soft diplomacy, cybernetics, antipsychiatry, sociological art and feminist consciousness raising. The network of activity generated through these interactions was inherently international, as artists sought to analyse the power dynamics involved in creating collaborative works in an increasingly globalised world. Beyond the Happening will be of interest to art historians engaged with performance practice after 1960, particularly in the USA, Europe and Latin America, and with the cross-fertilisation uniting Happenings, media art, body art, feminist art, conceptualism, photography film and video.
538 $a Mode of access: World Wide Web.
650 0 $a Happenings (Art) $3 899196
650 0 $a Performance art. $3 223857
655 4 $a Electronic books. $2 local. $3 214472
830 0 $a Rethinking art's histories. $3 899191
856 4 0 $u https://portal.igpublish.com/iglibrary/search/MUPB0001234.html