國立高雄大學圖資館 |

Language: English

Back

Baroque naturalism in Benjamin and D...

Benjamin, Walter, (1892-1940.)

Baroque naturalism in Benjamin and Deleuzethe art of least distances /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Baroque naturalism in Benjamin and Deleuzeby Tim Flanagan.
Reminder of title:	the art of least distances /
Author:	Flanagan, Tim.
Published:	Cham :Springer International Publishing :2021.
Description:	xxiv, 288 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Continental philosophy.
Online resource:	https://doi.org/10.1007/978-3-030-66398-8
ISBN:	9783030663988$q(electronic bk.)

Baroque naturalism in Benjamin and Deleuzethe art of least distances /
Flanagan, Tim.

Baroque naturalism in Benjamin and Deleuzethe art of least distances /[electronic resource] :by Tim Flanagan. - Cham :Springer International Publishing :2021. - xxiv, 288 p. :ill., digital ;24 cm.

1. Implicit Liber (a Baroque Theme) -- 2. Theses on the Baroque. - 3. The Subject of the Baroque ("surpassing the logical relation between a concept and its object") -- 4. Baroque Predication: a continuous fresco, an inner concept, the propositional concept itself. - 5. "The Sublime Words of the Third Ennead". - 6. Baroque Naturalism (A Teleological Conversion of Philosophy)

This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin's 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed)The second, enveloping the first, is a literalist claim about predication itself - namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical 'naturalism' in which thought is replete with predicates. Oriented by Barbara Cassin's development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that 'the Baroque' names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet - a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen's Hexapla)

ISBN: 9783030663988$q(electronic bk.)

Standard No.: 10.1007/978-3-030-66398-8doiSubjects--Personal Names:

178751
Benjamin, Walter,
1892-1940.Subjects--Topical Terms:

228798
Continental philosophy.

LC Class. No.: B804 / .F53 2021

Dewey Class. No.: 190

Baroque naturalism in Benjamin and Deleuzethe art of least distances /
LDR:02640nmm a2200325 a 4500 001 610863
003 DE-He213
005 20211018203320.0
006 m d
007 cr nn 008maaau
008 220330s2021 sz s 0 eng d
020 $a 9783030663988$q(electronic bk.)
020 $a 9783030663971$q(paper)
024 7 $a 10.1007/978-3-030-66398-8 $2 doi
035 $a 978-3-030-66398-8
040 $a GP $c GP
041 0 $a eng
050 4 $a B804 $b .F53 2021
072 7 $a HPC $2 bicssc
072 7 $a PHI031000 $2 bisacsh
072 7 $a QDH $2 thema
082 0 4 $a 190 $2 23
090 $a B804 $b .F583 2021
100 1 $a Flanagan, Tim. $3 909103
245 1 0 $a Baroque naturalism in Benjamin and Deleuze $h [electronic resource] : $b the art of least distances / $c by Tim Flanagan.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xxiv, 288 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Implicit Liber (a Baroque Theme) -- 2. Theses on the Baroque. - 3. The Subject of the Baroque ("surpassing the logical relation between a concept and its object") -- 4. Baroque Predication: a continuous fresco, an inner concept, the propositional concept itself. - 5. "The Sublime Words of the Third Ennead". - 6. Baroque Naturalism (A Teleological Conversion of Philosophy)
520 $a This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin's 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed)The second, enveloping the first, is a literalist claim about predication itself - namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical 'naturalism' in which thought is replete with predicates. Oriented by Barbara Cassin's development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that 'the Baroque' names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet - a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen's Hexapla)
600 1 0 $a Benjamin, Walter, $d 1892-1940. $3 178751
600 1 0 $a Deleuze, Gilles, $d 1925-1995. $3 291233
650 0 $a Continental philosophy. $3 228798
650 0 $a Aesthetics, Baroque. $3 787629
650 1 4 $a Continental Philosophy. $3 772630
650 2 4 $a Aesthetics. $3 178371
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-030-66398-8
950 $a Religion and Philosophy (SpringerNature-41175)