國立高雄大學圖資館 |

Language: English

Back

The cultural politics of one-to-one performancestrange duets /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The cultural politics of one-to-one performanceby Rachel Zerihan.
Reminder of title:	strange duets /
Author:	Zerihan, Rachel.
Published:	London :Palgrave Macmillan UK :2022.
Description:	xii, 211 p. :ill. (chiefly color), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Performing artsAudiences.
Online resource:	https://doi.org/10.1057/978-1-137-47755-2
ISBN:	9781137477552$q(electronic bk.)

The cultural politics of one-to-one performancestrange duets /
Zerihan, Rachel.

The cultural politics of one-to-one performancestrange duets /[electronic resource] :by Rachel Zerihan. - London :Palgrave Macmillan UK :2022. - xii, 211 p. :ill. (chiefly color), digital ;24 cm.

1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.

This monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O'Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies. Rachel Zerihan is a writer and researcher who has taught extensively in higher education and is currently training to become a Child and Adolescent Psychotherapist. She has published widely and is co-editor of a Special Edition of Performing Ethos Journal on 'Ethics in One-to-One Performance' (2014), Intimacy Across Visceral and Digital Performance (Palgrave Macmillan, 2012) and Interfaces of Performance (2009)

ISBN: 9781137477552$q(electronic bk.)

Standard No.: 10.1057/978-1-137-47755-2doiSubjects--Topical Terms:

350837
Performing arts
--Audiences.

LC Class. No.: PN1590.A9

Dewey Class. No.: 792.01

The cultural politics of one-to-one performancestrange duets /
LDR:03068nmm a2200325 a 4500 001 630644
003 DE-He213
005 20220924145938.0
006 m d
007 cr nn 008maaau
008 230329s2022 enk s 0 eng d
020 $a 9781137477552$q(electronic bk.)
020 $a 9781137477545$q(paper)
024 7 $a 10.1057/978-1-137-47755-2 $2 doi
035 $a 978-1-137-47755-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1590.A9
072 7 $a AN $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 792.01 $2 23
090 $a PN1590.A9 $b Z58 2022
100 1 $a Zerihan, Rachel. $3 584626
245 1 4 $a The cultural politics of one-to-one performance $h [electronic resource] : $b strange duets / $c by Rachel Zerihan.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xii, 211 p. : $b ill. (chiefly color), digital ; $c 24 cm.
505 0 $a 1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.
520 $a This monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O'Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies. Rachel Zerihan is a writer and researcher who has taught extensively in higher education and is currently training to become a Child and Adolescent Psychotherapist. She has published widely and is co-editor of a Special Edition of Performing Ethos Journal on 'Ethics in One-to-One Performance' (2014), Intimacy Across Visceral and Digital Performance (Palgrave Macmillan, 2012) and Interfaces of Performance (2009)
650 0 $a Performing arts $x Audiences. $3 350837
650 0 $a Entertainers. $2 fast $3 688489
650 0 $a Performing arts $x Social aspects. $3 193454
650 1 4 $a Theatre and Performance Arts. $3 913285
650 2 4 $a Performers and Practitioners. $3 794843
650 2 4 $a Contemporary Theatre and Performance. $3 915021
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1057/978-1-137-47755-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)