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Emerging from the horizon of historymodern Chinese women's literature, 1917-1949 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Emerging from the horizon of historyby Yue Meng, Jinhua Dai.
Reminder of title:	modern Chinese women's literature, 1917-1949 /
Author:	Meng, Yue.
other author:	Dai, Jinhua.
Published:	Singapore :Springer Nature Singapore :2023.
Description:	x, 335 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Chinese literatureHistory and criticism.20th century
Online resource:	https://doi.org/10.1007/978-981-99-4004-2
ISBN:	9789819940042$q(electronic bk.)

Emerging from the horizon of historymodern Chinese women's literature, 1917-1949 /
Meng, Yue.

Emerging from the horizon of historymodern Chinese women's literature, 1917-1949 /[electronic resource] :by Yue Meng, Jinhua Dai. - Singapore :Springer Nature Singapore :2023. - x, 335 p. :ill. (some col.), digital ;24 cm.

1. Introduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life's Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental AttachmentIntroduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life's Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental Attachment -- 5. Bing Xin: Fortune's Favored Daughter -- 6. Ling Shuhua: A Feminine World Trapped in a Corner -- 7. The 1930s: Myths in the Crevice of Civilizations -- 8. Ding Ling: Vulnerable "Goddess" -- 9. Marching Towards Battlefields and the Bottom Classes -- 10. Women in the City: On the Margins of a Glorious Page of History -- 11. Bai Wei: A Survivor of Ordeals -- 12. Xiao Hong: The Brave and Wise Pathfinder -- 13. The Nineteen Forties: A Divided World -- 14. Su Qing: Women - "Civilians in the Occupied Areas" -- 15. Zhang Ailing: The Knowing Smile of a Desolate Beauty -- 16. Conclusion.

This book systematically studies the literary output of female writers in contemporary China within the frame of literary theories of feminism. With tools from psychoanalysis, structuralism and deconstructionism, the two female authors, Meng and Dai, analyze 9 important female writers from 1919 to 1949, including Yin Lu, Xin Bing, Ning Ding, Ailing Zhang. By decade, the authors provide a comprehensive depiction of these female writers' historic-cultural background as well as their reception by critics and audiences. Navigating the complex relation between mainstream literary trends and female writers' practice, this text represents a landmark of practice of literary feminist criticism within the Chinese language.

ISBN: 9789819940042$q(electronic bk.)

Standard No.: 10.1007/978-981-99-4004-2doiSubjects--Topical Terms:

210232
Chinese literature
--History and criticism.--20th century

LC Class. No.: PL2303

Dewey Class. No.: 895.1090051

Emerging from the horizon of historymodern Chinese women's literature, 1917-1949 /
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505 0 $a 1. Introduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life's Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental AttachmentIntroduction -- 2. Years of the "May Fourth" Era: A Floating Historical Stage -- 3. Lu Yin: "Wimps Standing in front of Life's Diverging Paths" -- 4. Yuanjun: Rebellion and Sentimental Attachment -- 5. Bing Xin: Fortune's Favored Daughter -- 6. Ling Shuhua: A Feminine World Trapped in a Corner -- 7. The 1930s: Myths in the Crevice of Civilizations -- 8. Ding Ling: Vulnerable "Goddess" -- 9. Marching Towards Battlefields and the Bottom Classes -- 10. Women in the City: On the Margins of a Glorious Page of History -- 11. Bai Wei: A Survivor of Ordeals -- 12. Xiao Hong: The Brave and Wise Pathfinder -- 13. The Nineteen Forties: A Divided World -- 14. Su Qing: Women - "Civilians in the Occupied Areas" -- 15. Zhang Ailing: The Knowing Smile of a Desolate Beauty -- 16. Conclusion.
520 $a This book systematically studies the literary output of female writers in contemporary China within the frame of literary theories of feminism. With tools from psychoanalysis, structuralism and deconstructionism, the two female authors, Meng and Dai, analyze 9 important female writers from 1919 to 1949, including Yin Lu, Xin Bing, Ning Ding, Ailing Zhang. By decade, the authors provide a comprehensive depiction of these female writers' historic-cultural background as well as their reception by critics and audiences. Navigating the complex relation between mainstream literary trends and female writers' practice, this text represents a landmark of practice of literary feminist criticism within the Chinese language.
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