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Fundamentals and applications of colour engineering /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Fundamentals and applications of colour engineering /edited by Phil Green.
other author:	Green, Phil,
Description:	1 online resource (xxiv, 374 pages) :illustrations (some color).
Subject:	Color.
Online resource:	http://dx.doi.org/10.1002/9781119827214
Online resource:	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3701447
ISBN:	9781119827214

Fundamentals and applications of colour engineering /
Fundamentals and applications of colour engineering /edited by Phil Green. - 1 online resource (xxiv, 374 pages) :illustrations (some color). - Wiley-SID series in display technology. - Wiley SID series in display technology..

Includes bibliographical references and index.

Series Editor's Foreword -- Preface -- Introductory Notes -- 1 Instruments and Methods for the Colour Measurements Required in Colour Engineering 1 Danny Rich -- 1.1 Introduction -- 1.2 Visual Colorimetry -- 1.3 Analogue Simulation of Visual Colorimetry -- 1.4 Digital Simulation of Visual Colorimetry -- 1.5 Selecting and Using Colorimeters and Spectrocolorimeters -- 1.6 Geometric Requirements for Colour Measurements -- 1.7 Conclusions and Expectations -- 2 Colorimetry and Colour Difference 27 Phil Green -- 2.1 Introduction -- 2.2 Colorimetry -- 2.3 Normalization -- 2.4 Colour Matching Functions -- 2.5 Illuminants -- 2.6 Data for Observers and Illuminants -- 2.7 Range and Interval -- 2.8 Calculation of Chromaticity -- 2.9 Calculation of CIE 1976 Uniform Colour Spaces -- 2.10 Inversion of CIELAB Equations -- 2.11 Colour Difference -- 2.12 Problems with Using UCS Colour Difference -- 2.13 Uniformity of the Components of Colour Difference -- 2.14 Viewing Conditions -- 2.15 Surface Characteristics -- 2.16 Acceptability of Colour Differences -- 2.17 Overcoming the Limitations of UCS Colour Difference with Advanced Colour Difference Metrics -- 2.18 CIE94 -- 2.19 CIEDE2000 -- 2.20 Progress on Colour Difference Metrics since CIEDE2000 -- 2.21 3D Colour Difference -- 2.22 Colour Difference in High Luminance Conditions -- 2.23 Colour Difference Formulas Based on Colour Appearance Models -- 2.24 Limitations in the Use of Advanced Colour Difference Metrics in Colour Imaging -- 2.25 Basis Conditions -- 2.26 Colour Difference in Complex Images -- 2.27 Acceptability and Perceptibility -- 2.28 Large vs Small Differences -- 2.29 Deriving Colour Difference Tolerances -- 2.30 Sample Preparation -- 2.31 Psychophysical Experiments -- 2.32 Colour Difference Judgements by Observers with a Colour Vision Deficiency -- 2.33 Calculating Colour Tolerances from Experimental Data -- 2.34 Calculation of Discrimination Ellipsoids and Tolerance Distributions -- 2.34.1 Calculation of Parametric Constants in Weightings Functions -- 2.35 Calculation of Acceptability Thresholds -- 2.36 Evaluating Colour Difference Metrics -- 2.37 Conclusion -- 3 Fundamentals of Device Characterization 53 Phil Green -- 3.1 Introduction -- 3.2 Characterization Methods -- 3.3 Numerical Models -- 3.4 Look-Up Tables with Interpolation -- 3.5 Evaluating Accuracy -- Training and Test Data -- 4 Characterization of Input Devices 71 Phil Green -- 4.1 Input Channels -- 4.2 Characterization Goals -- 4.3 Transform Encoding -- 4.4 Dynamic Range -- 4.5 Input Characterization Methods -- 4.5.1 Scanners -- 4.6 Targets -- 4.7 Modelling -- 4.7.1 Digital Cameras -- 4.8 Target-Based Characterization -- 4.9 Targets -- 4.10 Modelling -- 5 Color Processing for Digital Cameras 81 Michael S. Brown -- 5.1 Introduction -- 5.2 Basics of a Camera Sensor -- 5.3 The Camera Pipeline -- 5.4 Multi-Frame Processing -- 5.5 Towards the Neural ISP -- 5.6 Concluding Remarks -- 6 Display Calibration 99 Catherine Meininger, Tom Lianza, and Grace Annese -- 6.1 Introduction -- 6.2 From CRT to Contemporary Display Technologies -- 6.3 The Display Never Sleeps... Merging Television and Computer Display Standards -- 6.4 The Evolution of Display Calibration Capabilities -- 6.5 Measurement Set Requirements -- 6.6 Calibration Validation Methodologies -- 6.7 Low Blue Light Developments -- 6.8 Conclusions -- 7 Characterizing Hard Copy Printers 119 Phil Green -- 7.1 Introduction -- 7.2 Properties of Hard Copy Printers -- 7.3 Substrates and Inks -- 7.4 Colour Gamut -- 7.5 Halftoning -- 7.6 Mechanical Printing Systems -- 7.7 Printing Conditions -- 7.8 Digital Systems -- 7.9 RGB Printers -- 7.10 Test Charts -- 7.11 Printer Models -- 7.12 Block Dye Model -- 7.13 Physical Models -- 7.14 Numerical Models and Look-up Tables -- 7.15 Inverting the Model -- 7.16 Multi-Colour and Spot Colour Characterization -- 7.17 Spectral Characterization -- 7.18 White Ink -- 7.19 Reducing the Frequency of Characterization -- 7.20 Conclusions -- 8 Colour Encodings 143 Phil Green -- 8.1 Introduction -- 8.2 Colour Encoding Components -- 8.3 Colour Spaces -- 8.4 Device and Colour Space Encodings -- 8.5 Colorimetric Interpretation -- 8.6 Image State -- 8.7 Standard 3-Component Colour Space Encodings -- 8.8 Colour Gamut -- 8.8.1 Extended Colour Gamut -- 8.9 Precision and Range -- 8.9.1 High Dynamic Range -- 8.9.2 Negative Values -- 8.10 Luminance/Chrominance Encodings -- 8.11 Conversion to Colorimetry -- 8.12 Implementation Issues -- 8.13 File Formats -- 9 Colour Gamut Communication 155 Kiran Deshpande -- 9.1 Introduction -- 9.2 How to Describe Colour Gamuts -- 9.3 How to Obtain a Colour Gamut of a Printing System -- 9.4 How to Obtain a Colour Gamut of a Display -- 9.5 How to Calculate Gamut Volume -- 9.6 How to Analyse Colour Gamuts -- 9.7 How to Visualize Colour Gamuts -- 9.8 How to Communicate Colour Gamuts -- 9.9 Summary -- 10 The ICC Colour Management Architecture 177 Phil Green -- 10.1 Origins of the ICC -- 10.2 Fundamentals of the ICC Architecture: The PCS, the ICC Profile, Transforms and the CMM -- 10.3 Other CMM Operations -- 10.4 Workflows -- 10.5 Current Status of ICC.1 -- 10.6 ICC.2 -- 11 iccMAX Color Management -- Philosophy, Overview, and Basics 193 Max Derhak -- 11.1 Background and Philosophy Leading to iccMAX -- 11.2 Overview -- 11.3 Creating Transforms -- 11.4 Specification Subsets via ICSs -- 11.5 Domain Specific Examples -- 11.6 Getting Started with iccMAX (Where Color Engineering Comes to Play) -- 11.7 Conclusion -- 12 Sensor Adjustment 215 Phil Green -- 12.1 Introduction -- 12.2 Aims of Sensor Adjustment -- 12.3 Luminance Adjustment -- 12.4 Chromatic Adaptation -- 12.5 Material-Equivalent Adjustment -- 12.6 Local Adaptation -- 12.7 Incomplete Adaptation -- 13 Evaluating Colour Transforms 227 Phil Green -- 13.1 Introduction -- 13.2 Accuracy -- 13.3 Cost -- 13.4 Subjective Preference -- 14 Appearance Beyond Colour: Gloss and Translucency Perception 239 Davit Gigilashvili and Jean-Baptiste Thomas -- 14.1 Introduction -- 14.2 Gloss Perception -- 14.3 Translucency Perception -- 14.4 Interaction among Appearance Attributes -- 14.5 Impact on Colour Technologies -- 14.6 Conclusion -- 15 Colour Management of Material Appearance 259 Tanzima Habib -- 15.1 Introduction -- 15.2 Material Appearance Modelling -- 15.3 Appearance Support in Colour Management -- 15.4 A Colour Management Workflow for Material Appearance -- 15.5 Conclusion -- 16 Color on the Web 271 Chris Lilley -- 16.1 Early History -- 16.2 Color on the Legacy Web -- 16.3 Wide Color Gamut (WCG) Comes to the Web -- 16.4 Color on the Wide Gamut Web -- 16.5 HDR Comes to the Web -- 17 High Dynamic Range Imaging 293 Mekides Assefa Abebe -- 17.1 Introduction and Background -- 17.2 High Dynamic Range Imaging -- 17.3 Conclusion -- 18 HDR and Wide Color Gamut Display Technologies and Considerations 311 Timo Kunkel and Ajit Ninan -- 18.1 Introduction -- 18.2 Early HDR Display Systems -- 18.3 Transmissive Displays -- 18.4 Emissive Displays -- 18.5 Projection Systems -- 18.6 Reflective Displays -- 18.7 Achieving Wide Color Gamuts -- 18.8 Spatial Display Properties -- 18.9 Temporal Display Properties -- 18.10 Signaling -- 18.11 Characterization and Calibration -- 18.12 Ambient Effects -- 18.13 Conclusion -- 19 Colour in AR and VR 335 Michael J. Murdoch -- 19.1 Introduction -- 19.2 Colour Synthesis in AR and VR Displays -- 19.3 Colour Appearance in AR and VR -- 19.4 Colour Imaging and Graphics in AR and VR -- 19.5 Conclusion -- 20 Colour Engineering Toolbox and Other Open Source Tools 355 Phil Green -- 20.1 Colour Engineering Toolbox 2.0 -- 20.2 Polar Calculations -- 20.3 Media-Relative and PCS Scaling -- 20.4 DemoIccMax -- 20.5 Color.js -- 20.6 Little CMS -- 20.7 Argyll -- 20.8 Colour -- References -- Index.

"The Wiley SID book series organizers and our editorial team believe that there is a strong need in the display field for a comprehensive book describing the manufacturing of the display panels used in today's display products. The objective of this book, entitled Flat Panel Display Manufacturing, is to give a broad overview for the key manufacturing topics, serving as a reference text. The book will cover all aspects of the manufacturing processes of TFT LCD and AMOLED, which includes the fabrication processes of the TFT backplane, cell process, module packaging, and test processes. Additionally, the book introduces important topics in manufacturing science and engineering related to quality control, factory and supporting systems architectures, and green manufacturing. The book can serve as a reference book not only for display engineers in the field, but also for students in display fields. One might think that flat panel display manufacturing is a mature subject, but the state of the art manufacturing technologies enabling today's high end TFT LCDs and OLED displays are still evolving for the next generation displays. The editorial team invited authors from major display manufacturers and experts in each manufacturing topic (equipment, processing, etc.). Last but not least, we are also grateful to the Wiley SID book series team, and especially to Dr. Ian Sage for help planning, reviewing the early drafts, and bringing this book to light."--

ISBN: 9781119827214

Standard No.: 10.1002/9781119827214doi

LCCN: 2023040650Subjects--Uniform Titles:

MATLAB.
Subjects--Topical Terms:

202566
Color.

LC Class. No.: QC495 / .F85 2024

Dewey Class. No.: 621.39/87

Fundamentals and applications of colour engineering /
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245 0 0 $a Fundamentals and applications of colour engineering / $c edited by Phil Green.
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490 1 $a Wiley-SID series in display technology
504 $a Includes bibliographical references and index.
505 0 $a Series Editor's Foreword -- Preface -- Introductory Notes -- 1 Instruments and Methods for the Colour Measurements Required in Colour Engineering 1 Danny Rich -- 1.1 Introduction -- 1.2 Visual Colorimetry -- 1.3 Analogue Simulation of Visual Colorimetry -- 1.4 Digital Simulation of Visual Colorimetry -- 1.5 Selecting and Using Colorimeters and Spectrocolorimeters -- 1.6 Geometric Requirements for Colour Measurements -- 1.7 Conclusions and Expectations -- 2 Colorimetry and Colour Difference 27 Phil Green -- 2.1 Introduction -- 2.2 Colorimetry -- 2.3 Normalization -- 2.4 Colour Matching Functions -- 2.5 Illuminants -- 2.6 Data for Observers and Illuminants -- 2.7 Range and Interval -- 2.8 Calculation of Chromaticity -- 2.9 Calculation of CIE 1976 Uniform Colour Spaces -- 2.10 Inversion of CIELAB Equations -- 2.11 Colour Difference -- 2.12 Problems with Using UCS Colour Difference -- 2.13 Uniformity of the Components of Colour Difference -- 2.14 Viewing Conditions -- 2.15 Surface Characteristics -- 2.16 Acceptability of Colour Differences -- 2.17 Overcoming the Limitations of UCS Colour Difference with Advanced Colour Difference Metrics -- 2.18 CIE94 -- 2.19 CIEDE2000 -- 2.20 Progress on Colour Difference Metrics since CIEDE2000 -- 2.21 3D Colour Difference -- 2.22 Colour Difference in High Luminance Conditions -- 2.23 Colour Difference Formulas Based on Colour Appearance Models -- 2.24 Limitations in the Use of Advanced Colour Difference Metrics in Colour Imaging -- 2.25 Basis Conditions -- 2.26 Colour Difference in Complex Images -- 2.27 Acceptability and Perceptibility -- 2.28 Large vs Small Differences -- 2.29 Deriving Colour Difference Tolerances -- 2.30 Sample Preparation -- 2.31 Psychophysical Experiments -- 2.32 Colour Difference Judgements by Observers with a Colour Vision Deficiency -- 2.33 Calculating Colour Tolerances from Experimental Data -- 2.34 Calculation of Discrimination Ellipsoids and Tolerance Distributions -- 2.34.1 Calculation of Parametric Constants in Weightings Functions -- 2.35 Calculation of Acceptability Thresholds -- 2.36 Evaluating Colour Difference Metrics -- 2.37 Conclusion -- 3 Fundamentals of Device Characterization 53 Phil Green -- 3.1 Introduction -- 3.2 Characterization Methods -- 3.3 Numerical Models -- 3.4 Look-Up Tables with Interpolation -- 3.5 Evaluating Accuracy -- Training and Test Data -- 4 Characterization of Input Devices 71 Phil Green -- 4.1 Input Channels -- 4.2 Characterization Goals -- 4.3 Transform Encoding -- 4.4 Dynamic Range -- 4.5 Input Characterization Methods -- 4.5.1 Scanners -- 4.6 Targets -- 4.7 Modelling -- 4.7.1 Digital Cameras -- 4.8 Target-Based Characterization -- 4.9 Targets -- 4.10 Modelling -- 5 Color Processing for Digital Cameras 81 Michael S. Brown -- 5.1 Introduction -- 5.2 Basics of a Camera Sensor -- 5.3 The Camera Pipeline -- 5.4 Multi-Frame Processing -- 5.5 Towards the Neural ISP -- 5.6 Concluding Remarks -- 6 Display Calibration 99 Catherine Meininger, Tom Lianza, and Grace Annese -- 6.1 Introduction -- 6.2 From CRT to Contemporary Display Technologies -- 6.3 The Display Never Sleeps... Merging Television and Computer Display Standards -- 6.4 The Evolution of Display Calibration Capabilities -- 6.5 Measurement Set Requirements -- 6.6 Calibration Validation Methodologies -- 6.7 Low Blue Light Developments -- 6.8 Conclusions -- 7 Characterizing Hard Copy Printers 119 Phil Green -- 7.1 Introduction -- 7.2 Properties of Hard Copy Printers -- 7.3 Substrates and Inks -- 7.4 Colour Gamut -- 7.5 Halftoning -- 7.6 Mechanical Printing Systems -- 7.7 Printing Conditions -- 7.8 Digital Systems -- 7.9 RGB Printers -- 7.10 Test Charts -- 7.11 Printer Models -- 7.12 Block Dye Model -- 7.13 Physical Models -- 7.14 Numerical Models and Look-up Tables -- 7.15 Inverting the Model -- 7.16 Multi-Colour and Spot Colour Characterization -- 7.17 Spectral Characterization -- 7.18 White Ink -- 7.19 Reducing the Frequency of Characterization -- 7.20 Conclusions -- 8 Colour Encodings 143 Phil Green -- 8.1 Introduction -- 8.2 Colour Encoding Components -- 8.3 Colour Spaces -- 8.4 Device and Colour Space Encodings -- 8.5 Colorimetric Interpretation -- 8.6 Image State -- 8.7 Standard 3-Component Colour Space Encodings -- 8.8 Colour Gamut -- 8.8.1 Extended Colour Gamut -- 8.9 Precision and Range -- 8.9.1 High Dynamic Range -- 8.9.2 Negative Values -- 8.10 Luminance/Chrominance Encodings -- 8.11 Conversion to Colorimetry -- 8.12 Implementation Issues -- 8.13 File Formats -- 9 Colour Gamut Communication 155 Kiran Deshpande -- 9.1 Introduction -- 9.2 How to Describe Colour Gamuts -- 9.3 How to Obtain a Colour Gamut of a Printing System -- 9.4 How to Obtain a Colour Gamut of a Display -- 9.5 How to Calculate Gamut Volume -- 9.6 How to Analyse Colour Gamuts -- 9.7 How to Visualize Colour Gamuts -- 9.8 How to Communicate Colour Gamuts -- 9.9 Summary -- 10 The ICC Colour Management Architecture 177 Phil Green -- 10.1 Origins of the ICC -- 10.2 Fundamentals of the ICC Architecture: The PCS, the ICC Profile, Transforms and the CMM -- 10.3 Other CMM Operations -- 10.4 Workflows -- 10.5 Current Status of ICC.1 -- 10.6 ICC.2 -- 11 iccMAX Color Management -- Philosophy, Overview, and Basics 193 Max Derhak -- 11.1 Background and Philosophy Leading to iccMAX -- 11.2 Overview -- 11.3 Creating Transforms -- 11.4 Specification Subsets via ICSs -- 11.5 Domain Specific Examples -- 11.6 Getting Started with iccMAX (Where Color Engineering Comes to Play) -- 11.7 Conclusion -- 12 Sensor Adjustment 215 Phil Green -- 12.1 Introduction -- 12.2 Aims of Sensor Adjustment -- 12.3 Luminance Adjustment -- 12.4 Chromatic Adaptation -- 12.5 Material-Equivalent Adjustment -- 12.6 Local Adaptation -- 12.7 Incomplete Adaptation -- 13 Evaluating Colour Transforms 227 Phil Green -- 13.1 Introduction -- 13.2 Accuracy -- 13.3 Cost -- 13.4 Subjective Preference -- 14 Appearance Beyond Colour: Gloss and Translucency Perception 239 Davit Gigilashvili and Jean-Baptiste Thomas -- 14.1 Introduction -- 14.2 Gloss Perception -- 14.3 Translucency Perception -- 14.4 Interaction among Appearance Attributes -- 14.5 Impact on Colour Technologies -- 14.6 Conclusion -- 15 Colour Management of Material Appearance 259 Tanzima Habib -- 15.1 Introduction -- 15.2 Material Appearance Modelling -- 15.3 Appearance Support in Colour Management -- 15.4 A Colour Management Workflow for Material Appearance -- 15.5 Conclusion -- 16 Color on the Web 271 Chris Lilley -- 16.1 Early History -- 16.2 Color on the Legacy Web -- 16.3 Wide Color Gamut (WCG) Comes to the Web -- 16.4 Color on the Wide Gamut Web -- 16.5 HDR Comes to the Web -- 17 High Dynamic Range Imaging 293 Mekides Assefa Abebe -- 17.1 Introduction and Background -- 17.2 High Dynamic Range Imaging -- 17.3 Conclusion -- 18 HDR and Wide Color Gamut Display Technologies and Considerations 311 Timo Kunkel and Ajit Ninan -- 18.1 Introduction -- 18.2 Early HDR Display Systems -- 18.3 Transmissive Displays -- 18.4 Emissive Displays -- 18.5 Projection Systems -- 18.6 Reflective Displays -- 18.7 Achieving Wide Color Gamuts -- 18.8 Spatial Display Properties -- 18.9 Temporal Display Properties -- 18.10 Signaling -- 18.11 Characterization and Calibration -- 18.12 Ambient Effects -- 18.13 Conclusion -- 19 Colour in AR and VR 335 Michael J. Murdoch -- 19.1 Introduction -- 19.2 Colour Synthesis in AR and VR Displays -- 19.3 Colour Appearance in AR and VR -- 19.4 Colour Imaging and Graphics in AR and VR -- 19.5 Conclusion -- 20 Colour Engineering Toolbox and Other Open Source Tools 355 Phil Green -- 20.1 Colour Engineering Toolbox 2.0 -- 20.2 Polar Calculations -- 20.3 Media-Relative and PCS Scaling -- 20.4 DemoIccMax -- 20.5 Color.js -- 20.6 Little CMS -- 20.7 Argyll -- 20.8 Colour -- References -- Index.
520 $a "The Wiley SID book series organizers and our editorial team believe that there is a strong need in the display field for a comprehensive book describing the manufacturing of the display panels used in today's display products. The objective of this book, entitled Flat Panel Display Manufacturing, is to give a broad overview for the key manufacturing topics, serving as a reference text. The book will cover all aspects of the manufacturing processes of TFT LCD and AMOLED, which includes the fabrication processes of the TFT backplane, cell process, module packaging, and test processes. Additionally, the book introduces important topics in manufacturing science and engineering related to quality control, factory and supporting systems architectures, and green manufacturing. The book can serve as a reference book not only for display engineers in the field, but also for students in display fields. One might think that flat panel display manufacturing is a mature subject, but the state of the art manufacturing technologies enabling today's high end TFT LCDs and OLED displays are still evolving for the next generation displays. The editorial team invited authors from major display manufacturers and experts in each manufacturing topic (equipment, processing, etc.). Last but not least, we are also grateful to the Wiley SID book series team, and especially to Dr. Ian Sage for help planning, reviewing the early drafts, and bringing this book to light."-- $c Provided by publisher.
588 $a Description based on online resource; title from digital title page (viewed on October 24, 2023).
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