國立高雄大學圖資館 |

登入

回首頁

The co-production landscape in Europefrom Eurimages to Netflix /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The co-production landscape in Europeby Petar Mitric.
其他題名:	from Eurimages to Netflix /
作者:	Mitric, Petar.
出版者:	Cham :Springer Nature Switzerland :2025.
面頁冊數:	xix, 241 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Coproduction (Motion pictures, television, etc.)Europe.
電子資源:	https://doi.org/10.1007/978-3-031-92341-8
ISBN:	9783031923418$q(electronic bk.)

The co-production landscape in Europefrom Eurimages to Netflix /
Mitric, Petar.

The co-production landscape in Europefrom Eurimages to Netflix /[electronic resource] :by Petar Mitric. - Cham :Springer Nature Switzerland :2025. - xix, 241 p. :ill. (some col.), digital ;24 cm. - Palgrave European film and media studies,2634-6168. - Palgrave European film and media studies..

Chapter 1: European Co-Production - Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion.

"Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies." --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives - including policymakers, industry professionals, and audiences - this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab.

ISBN: 9783031923418$q(electronic bk.)

Standard No.: 10.1007/978-3-031-92341-8doiSubjects--Corporate Names:

999426
Eurimages (Organization)
Subjects--Topical Terms:

827627
Coproduction (Motion pictures, television, etc.)
--Europe.

LC Class. No.: PN1992.3.E78

Dewey Class. No.: 791.430232094

The co-production landscape in Europefrom Eurimages to Netflix /
LDR:03713nmm a2200349 a 4500 001 685420
003 DE-He213
005 20250725130231.0
006 m d
007 cr nn 008maaau
008 260129s2025 sz s 0 eng d
020 $a 9783031923418$q(electronic bk.)
020 $a 9783031923401$q(paper)
024 7 $a 10.1007/978-3-031-92341-8 $2 doi
035 $a 978-3-031-92341-8
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1992.3.E78
072 7 $a AP $2 bicssc
072 7 $a 1D $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $x 1D $2 thema
082 0 4 $a 791.430232094 $2 23
090 $a PN1992.3.E78 $b M684 2025
100 1 $a Mitric, Petar. $3 999425
245 1 4 $a The co-production landscape in Europe $h [electronic resource] : $b from Eurimages to Netflix / $c by Petar Mitric.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xix, 241 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave European film and media studies, $x 2634-6168
505 0 $a Chapter 1: European Co-Production - Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion.
520 $a "Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies." --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives - including policymakers, industry professionals, and audiences - this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab.
610 2 0 $a Eurimages (Organization) $3 999426
610 2 0 $a Netflix (Firm) $3 821135
650 0 $a Coproduction (Motion pictures, television, etc.) $z Europe. $3 827627
650 0 $a Motion picture industry $z Europe. $3 293101
650 1 4 $a European Film and TV. $3 922499
650 2 4 $a Film and Television Industry. $3 922543
650 2 4 $a Film and Television Production. $3 913305
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Palgrave European film and media studies. $3 753593
856 4 0 $u https://doi.org/10.1007/978-3-031-92341-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)