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Here comes the signthe semiotics of popular music /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Here comes the signby Dario Martinelli.
Reminder of title:	the semiotics of popular music /
Author:	Martinelli, Dario.
Published:	Cham :Springer Nature Switzerland :2025.
Description:	xxiii, 366 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	MusicSemiotics.
Online resource:	https://doi.org/10.1007/978-3-032-02823-5
ISBN:	9783032028235$q(electronic bk.)

Here comes the signthe semiotics of popular music /
Martinelli, Dario.

Here comes the signthe semiotics of popular music /[electronic resource] :by Dario Martinelli. - Cham :Springer Nature Switzerland :2025. - xxiii, 366 p. :ill. (some col.), digital ;24 cm.

I. MUSIC -- II. SEMIOTICS -- III. SEMIOTICS OF POPULAR MUSIC -- IV. RESEARCH QUESTIONS AND ANALYTICAL MODELS -- V. CONCLUSIONS: THANK YOU FOR THE MUSIC.

This text is an original and unique introduction to musical semiotics through the use of popular music acts and repertoires of global cultural impact. The basic idea of this is that the songs of The Beatles, Queen, ABBA, Madonna, Michael Jackson and others have become a lingua franca in nearly all cultures, thus making for excellent examples to illustrate musical semiotic theories. "'Heroes'" can perfectly explain Eero Tarasti's Actantial Model, "Bohemian Rhapsody" is ideal to describe Tzvetan Todorov's Equilibrium Theory, and so forth. Through case studies, in-depth analysis, original theoretical contributions from the author, but also a comprehensible and enjoyable writing style, this volume will be an engaging reading for students and at the same time an aid for instructors in semiotics, musicology and popular music studies.

ISBN: 9783032028235$q(electronic bk.)

Standard No.: 10.1007/978-3-032-02823-5doiSubjects--Topical Terms:

994491
Music
--Semiotics.

LC Class. No.: ML3845

Dewey Class. No.: 781.63

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520 $a This text is an original and unique introduction to musical semiotics through the use of popular music acts and repertoires of global cultural impact. The basic idea of this is that the songs of The Beatles, Queen, ABBA, Madonna, Michael Jackson and others have become a lingua franca in nearly all cultures, thus making for excellent examples to illustrate musical semiotic theories. "'Heroes'" can perfectly explain Eero Tarasti's Actantial Model, "Bohemian Rhapsody" is ideal to describe Tzvetan Todorov's Equilibrium Theory, and so forth. Through case studies, in-depth analysis, original theoretical contributions from the author, but also a comprehensible and enjoyable writing style, this volume will be an engaging reading for students and at the same time an aid for instructors in semiotics, musicology and popular music studies.
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