國立高雄大學圖資館 |

登入

回首頁

Virtual reality as a new tool in paintingpainting in the fourth dimension /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Virtual reality as a new tool in paintingby Joshua Stanton.
其他題名:	painting in the fourth dimension /
作者:	Stanton, Joshua.
出版者:	Cham :Springer Nature Switzerland :2025.
面頁冊數:	xxii, 216 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Virtual reality in art.
電子資源:	https://doi.org/10.1007/978-3-032-08876-5
ISBN:	9783032088765$q(electronic bk.)

Virtual reality as a new tool in paintingpainting in the fourth dimension /
Stanton, Joshua.

Virtual reality as a new tool in paintingpainting in the fourth dimension /[electronic resource] :by Joshua Stanton. - Cham :Springer Nature Switzerland :2025. - xxii, 216 p. :ill., digital ;24 cm.

Chapter 1: Virtual Reality and Painting in the Fourth Dimension -- Chapter 2: The Shifting Dichotomy of Media Arts and Fine Arts in the Context of VR Painting -- Chapter 3: The Liberation of Painting -- Chapter 4: Painting in the Digital Realm -- Chapter 5: Time Unbound: The Temporal Dimension of Virtual Reality Painting -- Chapter 6: The Architecture of Virtual Space -- Chapter 7: Virtual Reality Painting Aesthetic -- Chapter 8: Conclusions - Echoes in the Virtual Canvas.

What if the painter's brush could transcend the canvas, sculpting not just shape and form but the very fabric of spacetime? This book presents the idea that virtual reality represents a pivotal moment in art history, the next profound evolution in the long lineage of fine art painting. It argues that VR liberates the medium of painting from its physical constraints, creating a "virtual painting reality spacetime" where artists can paint in a true fourth dimension, making time itself as malleable as pigment. This work forges a new critical framework to navigate this uncharted territory, bridging the visceral tradition of paint with the ethereal potential of virtual space. Drawing on the philosophies of Gilles Deleuze and the pioneering practices of artists like Char Davies and Fabian Marcaccio, the book explores the dissolution of boundaries between media arts and fine arts, artwork and observer, the physical and the virtual. The core is an investigation into how immersive presence, temporal fluidity, and interactive emergence give rise to novel aesthetics and experiences, fundamentally transforming our understanding of what a painting can be. Positioning virtual reality painting not as a departure from tradition but as the fulfilment of painting's historical quest to push beyond its inherited limitations, this book is an invitation to step through the frame. It is a journey into a world where the canvas becomes a living reality and the painter's gesture can echo into the fourth dimension. Dr Joshua Stanton is an internationally exhibited artist based in the UK. He received his PhD at Glasgow School of Art creating virtual reality paintings, where he worked across the schools of fine art and simulation & visualisation. He has over 10 years of experience making VR experiences in his fine art practice and now works as a professional 3D artist.

ISBN: 9783032088765$q(electronic bk.)

Standard No.: 10.1007/978-3-032-08876-5doiSubjects--Topical Terms:

753240
Virtual reality in art.

LC Class. No.: N8257.3

Dewey Class. No.: 776.028568

Virtual reality as a new tool in paintingpainting in the fourth dimension /
LDR:03368nmm a2200325 a 4500 001 691899
003 DE-He213
005 20260102120453.0
006 m d
007 cr nn 008maaau
008 260527s2025 sz s 0 eng d
020 $a 9783032088765$q(electronic bk.)
020 $a 9783032088758$q(paper)
024 7 $a 10.1007/978-3-032-08876-5 $2 doi
035 $a 978-3-032-08876-5
040 $a GP $c GP
041 0 $a eng
050 4 $a N8257.3
072 7 $a ACXJ $2 bicssc
072 7 $a ART015110 $2 bisacsh
072 7 $a AGA $x 3MR $2 thema
082 0 4 $a 776.028568 $2 23
090 $a N8257.3 $b .S792 2025
100 1 $a Stanton, Joshua. $3 1008452
245 1 0 $a Virtual reality as a new tool in painting $h [electronic resource] : $b painting in the fourth dimension / $c by Joshua Stanton.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xxii, 216 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Virtual Reality and Painting in the Fourth Dimension -- Chapter 2: The Shifting Dichotomy of Media Arts and Fine Arts in the Context of VR Painting -- Chapter 3: The Liberation of Painting -- Chapter 4: Painting in the Digital Realm -- Chapter 5: Time Unbound: The Temporal Dimension of Virtual Reality Painting -- Chapter 6: The Architecture of Virtual Space -- Chapter 7: Virtual Reality Painting Aesthetic -- Chapter 8: Conclusions - Echoes in the Virtual Canvas.
520 $a What if the painter's brush could transcend the canvas, sculpting not just shape and form but the very fabric of spacetime? This book presents the idea that virtual reality represents a pivotal moment in art history, the next profound evolution in the long lineage of fine art painting. It argues that VR liberates the medium of painting from its physical constraints, creating a "virtual painting reality spacetime" where artists can paint in a true fourth dimension, making time itself as malleable as pigment. This work forges a new critical framework to navigate this uncharted territory, bridging the visceral tradition of paint with the ethereal potential of virtual space. Drawing on the philosophies of Gilles Deleuze and the pioneering practices of artists like Char Davies and Fabian Marcaccio, the book explores the dissolution of boundaries between media arts and fine arts, artwork and observer, the physical and the virtual. The core is an investigation into how immersive presence, temporal fluidity, and interactive emergence give rise to novel aesthetics and experiences, fundamentally transforming our understanding of what a painting can be. Positioning virtual reality painting not as a departure from tradition but as the fulfilment of painting's historical quest to push beyond its inherited limitations, this book is an invitation to step through the frame. It is a journey into a world where the canvas becomes a living reality and the painter's gesture can echo into the fourth dimension. Dr Joshua Stanton is an internationally exhibited artist based in the UK. He received his PhD at Glasgow School of Art creating virtual reality paintings, where he worked across the schools of fine art and simulation & visualisation. He has over 10 years of experience making VR experiences in his fine art practice and now works as a professional 3D artist.
650 0 $a Virtual reality in art. $3 753240
650 0 $a Computer art. $3 256886
650 1 4 $a Contemporary Art. $3 937176
650 2 4 $a Virtual and Augmented Reality. $3 922361
650 2 4 $a Artificial Intelligence. $3 212515
650 2 4 $a Arts. $3 176960
650 2 4 $a Theory of Arts. $3 922551
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-032-08876-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)